Horror fans of a certain age surely remember the 1973 TV movie Don’t Be Afraid Of The Dark. To me, it was always known as “the movie about the things in the fireplace,” which was enough to keep a scaredy-cat kid away for many years. Although I didn’t see it until more recently, I quickly became a big fan; the movie still provides plenty of genuinely creepy moments which make me glad I never saw it as an impressionable youth.
Filmmaker Guillermo del Toro, who produced the terrific remake that’s out today in theaters, has called the original “the most terrifying on earth.” But the new Don’t Be Afraid Of The Dark isn’t a movie full of jump scares like the also-terrific Insidious, which came out earlier this year. It’s more of an old-fashioned haunted house movie, where the unease and dread build slowly and inexorably towards a horrible climax.
By Emily Carney
Many television-philes like myself are obsessed with classic station identifications, or idents, from our childhood years. Whenever I hear the old PBS ident music from the 1980s, immediately I hearken back to the days when I used to watch Sesame Street and Mister Rogers’ Neighborhood before taking my Dukes of Hazzard Big Wheel out for a leisurely spin.
In the last few years, I’ve familiarized myself with some Canadian TV idents which are as cool, diverse, and strangely comforting as their American counterpart’s idents. Here’s a small list of the very best Canadian idents from the past few decades.
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By Emily Carney
Like many kids, I was obsessed with Monty Python’s Flying Circus growing up. Python was featured on America’s Public Broadcasting Service (PBS), usually sandwiched between Doctor Who (with Tom Baker!) and a terrible British sitcom called ‘Allo ‘Allo. It had a great classically-rooted theme song, and was completely hilarious.
It should be explicitly stated, however, that Python was not, in any way, shape, or form, a kids’ TV show. It presented a lot of adult situations (“I LIKE TITS!” is actually a quote by Terry Jones, the Welsh member of the troupe). I would NEVER let my nephew and niece watch Python, as I don’t want to be collared for child abuse. So, when my parents were actually watching me, I’d switch the channel to Nickelodeon (a relatively new cable offering at the time) and watch the Canadian TV show, You Can’t Do That On Television. YCDTOT at its best was the preteen version of Python, and possessed its own brand of surreal, controversial humor. It also had a great attention-getting classical theme song.
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By Emily Carney
Growing up in the early 1980s, television comedy was all about Saturday Night Live on NBC. Television sketch comedy was still in its infancy. SNL underwent sort of a strange period between 1981 and 1982 with the addition of entertainers like Eddie Murphy and Joe Piscopo, who elevated the show from being utterly boring and routine after the departure of the “Original Prime Time Players.” However, another television comedy show entered the canon in 1981, imported from Canada. Second City Television (or more commonly known as SCTV) became the “cult” antithesis of SNL, featuring mainly Canadian performers. In many ways, SCTV was “smarter” and more hilarious than its American counterpart, and here’s why.
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Back in the ’80s, USA’s Night Flight, a late-night “variety” show, played a mix of weird videos and cult movies on weekends, essential viewing for kids who thrived on that kind of stuff. It was Night Flight that first introduced me to the wonders of Fantastic Planet (La Planète Sauvage), Smithereens, Ladies and Gentlemen…The Fabulous Stains, Urgh! A Music War, and Rock & Rule, an animated, epic sci-fi musical.
I’ve been watching it for more than 20 years now and Rock & Rule is still one of my all-time favorite movies. Here are ten reasons why.
By Jemiah Jefferson
Canadian four-piece Sloan is one of the world’s most enduring cult-item bands (for everyone living outside Canada, that is; in the wily north, Sloan has been a ubiquitous source of pride for a large part of their twenty-year history). There’s a reason for this continued affection, slavishly on display at any of their raucous, friendly live shows: Sloan is a known quantity, and all ten of their albums lie on the spectrum between pretty damn good and iconically brilliant.
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By Less Lee Moore
If you haven’t yet heard Ruby Coast, now is your chance! I caught them last November (at the Meligrove Band‘s Shimmering Lights release party) and their live set is exuberant indeed.
Their new album Whatever This Is, is now available as a free download on their Bandcamp site.
Check out their tour dates while you’re at it. They play at The Brass Taps in Guelph on March 3 so you’ve got plenty of time to memorize the lyrics before the show.
You can follow Ruby Coast on Facebook to keep up with all the latest news.
By Less Lee Moore
From the Meligrove Band‘s Facebook page:
Friends! Our US tour in December hurt us real bad. We had to get our transmission rebuilt, stuck in the worst part of Orlando for five nights, missing the last half of our tour, and having to pay $4500! Our bank account is in ruins. Help us pay by partying with us and our friends!
Here’s a list of stuff I was really into in 2010.
Electric Six, Zodiac: This album arrived in the mail a few months before its actual release. When it arrived, I was so excited that I actually felt sick. So instead of listening to it right away, I read all the press notes that accompanied it. I listened to it the next day. I have listened to this album over 245 times. This is not a lie. Drive somewhere with me and you’ll hear it twice.
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Anamanaguchi, Scott Pilgrim vs. The World Original Videogame Soundtrack
Wild Nothing, Gemini
Kanye West, My Beautiful Dark Twisted Fantasy (except for the song “Runaway,” which is the Emperor’s New Clothes of songs)
Anything Nicki Minaj does or is “feat.”-ed on
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