// Category Archive for: Canadian Content

RetrOntario.com: “Yours to Rediscover”

By Emily Carney

Image from RetrOntario.com

Certain commercials, jingles, TV show themes, and public television identifications from the 1980s and 1990s are etched into my mind like a road map of the past. These are the kinds of things that I’m humming after I wake up from a deep sleep . . . obviously, watching public television in those days made for some strong formative impressions. One new website, RetrOntario.com, takes this spirit further by preserving Ontario-based programming from that era.
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Assemblog: May 25, 2012

The Great Gatsby, 2012
Photo credit: Warner Bros.

New this week on Popshifter: The Monks; reviews of The Quintet: Jazz At Massey Hall, Max Payne 3, Ernie Kovacs: Percy Dovetonsils . . . thpeaks, and The Lowbrow Reader Reader; plus When Community Is A Commodity

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The Lake Effect, Expect Delays EP

By Kai Shuart

The four tracks on The Lake Effect‘s debut EP, Expect Delays, tell of a band that seems too chilled out for its own good. While this does make for some lovely, atmospheric music, such as the always-wonderful combination of warm keyboards and acoustic guitars found throughout Expect Delays, the muted atmosphere made it difficult for me to attach myself to the emotions being conveyed in the lyrics.
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Pierre Trudeau: Do the Fuddle Duddle!

By Emily Carney

In December 2011, Canadian Liberal MP Justin Trudeau threw some cusses in the House of Commons, calling Environment Minister Peter Kent “a piece of shit.” This prompted some Conservative MPs to yell back at Trudeau in protest.

Personally, I have no idea if Mr. Kent is a piece of shit; to Trudeau’s credit, he did apologize for his gaffe and for using unparliamentary language. I also have zero perspective about the ins and outs of Canada’s House of Commons, not living in or being from Canada. I had no idea that the Canadian House of Commons was this insane, given Canada’s stateside reputation as being a nation made of kittens, poutine, and toques.
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Forbidden Fruit: Banned, Censored, and Challenged Books from Dante to Harry Potter

By Less Lee Moore

When you think of banned books, you might think of Henry Miler’s Tropic of Cancer (1934), J.D. Salinger’s The Catcher In The Rye (1951), Kurt Vonnegut’s Slaughterhouse Five (1969), or Margaret Atwood’s The Handmaid’s Tale (1985). However, the practice of censorship and banning books reaches back to Socrates and the fifth century BCE. As Pearce J. Carefoote’s Forbidden Fruit: Banned, Censored, and Challenged Books from Dante to Harry Potter explains, the practice did not end when the Middle Ages gave way to the Renaissance.

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New Artist: Kris Korey

By Kai Shuart

Kris Korey’s interest in music—and making music—began at an early age; he wrote his first song at age seven. He started playing drums in his high school music class and soon branched out into playing with other local bands, touring around Ontario until 2006. From there, Kris picked up the electric guitar and started writing songs, taking voice lessons, and even recorded some home demos on an 8-track. In 2010, Kris recorded a couple of songs with Canadian producer Chris Perry which he intends to release on a full-length release titled Class Act.
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Oh Honey Watch That Man: The Chain Gang Of 1974 In Toronto

By Less Lee Moore

The Phoenix, Toronto ON
October 6, 2011

If you haven’t yet heard of The Chain Gang Of 1974, that’s likely to change very soon. Based on last night’s Toronto show at The Phoenix, they’ve got a big future.

Sandwiched between the exceedingly earnest (and exceedingly fresh-faced) White Arrows and New Zealand’s The Naked and Famous, Chain Gang were almost anachronistic. White Arrows sound a bit like The Strokes with a more sunny-California, reggae quality; while they weren’t exactly my cup of tea, they were so obviously thrilled to be on stage, it was fun to watch them. They made their own tie-dyed T-shirts for the merch table and singer Mickey Schiff encouraged everyone to “come talk to us after the show; we’ll be around all night.” It was quite sweet and endearing. I’m sure that The Naked and Famous played a great set, but I didn’t stick around to see it (no offense, guys and gals).

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The Killing Floor: What Happened At Rue Morgue Festival Of Fear 2011

By Less Lee Moore

Every August, Rue Morgue hosts its annual horror convention Festival Of Fear as part of FanExpo Canada (which also includes Gaming, Comics, Sci-Fi, and Anime). Every year, I await their list of guests and schedule of events. This year they presented a Near Dark screening with Lance Henriksen (read more here), a Q&A with Tom Savini (read more here), a 30th Anniversary cast and crew reunion for My Bloody Valentine (read more here), and much more, like events and panels with Malcolm McDowell, Robert Englund (Freddy Krueger), Elvira, and John Waters. There are literally too many things for one person to do. If ever there were a compelling reason to clone myself, it would be for Festival of Fear.

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A Nocturnal Nomad: Near Dark With Lance Henriksen

By Less Lee Moore

Every year as part of their Festival of Fear, Rue Morgue screens an iconic horror movie accompanied by a special guest. This year, we were treated to a screening of what may be the perfect vampire film, Near Dark, directed by Kathryn Bigelow, with Lance Henriksen (who plays Jesse Hooker) in attendance.

Near Dark is one of those movies that, forgive the cliché, truly improves with age, much like the vampires it portrays. It is even more relevant now than it was when it was originally released in 1987. Back then it was not exactly box office gold, although it has grown in both critical and cult status since.

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We Were Having A Party And Harry Warden Started Killing Everybody: 30 Years Of My Bloody Valentine

By Less Lee Moore

If you’ve haven’t seen the original version of My Bloody Valentine from 1981, you’re missing out. If you haven’t seen the uncut version, you’re definitely missing out. The 2009 reissue contains almost five minutes of footage that wasn’t in the original, theatrical release. Five minutes doesn’t sound like a whole lot, but after an hour spent with members of the cast and crew of the film, I now understand why they meant so much.

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