Diablo Cody hit it big a few years ago with Juno and everyone and their mother flocked over to her fan club. I watched Juno and admit I enjoyed it, but it was so filled with pop culture one-liners that it became boring. People said it was fresh and new but to me it was someone just trying way too hard. After that, Cody wrote Jennifer’s Body, which I was a fan of because of the silliness and how the film actually presented itself. Of course, people didn’t like this one and it was easily dismissed by critics. Cody wrote another “hit” called Young Adult which was just OK by me and many others.
Recently a new film called Paradise has surfaced that Cody wrote and directed. This is actually her directorial debut and the project she decided to helm first. First off, let me say this film feels like a total passion project for Diablo Cody. I could be wrong, of course, but Paradise falls flat and is so boring it doesn’t feel right.
John Carpenter has blessed us with many great flicks and inspired a limitless amount of people. He continues to do so even today. Still, Carpenter has a few underrated flicks and Body Bags is one of them. The whole film wasn’t directed by The Horror Master himself, but he directed a segment and more importantly, he nailed it as the host of this anthology. Body Bags might not be the best thing ever but it is a blast. (Don’t take me too seriously when I say it may not be the best thing ever; I mean that in a very positive way, actually.) Now, Scream Factory has given us a pristine looking Blu-Ray.
Many people either don’t know the name Fernando Di Leo or have never seen any of his films. Aside from filmmakers and cinephiles, his name doesn’t come up too often, but I’m here to change that. Raro Film has recently released a second volume of their Fernando Di Leo Italian Crime Collection. Aside from being a balls-out release, the transfers are outstanding.
Every so often we get a horror film that is completely original and stands out from the rest. Jug Face is a film unlike anything you will see this year (or even the upcoming years) in the horror genre.
The Pit Wants What It Wants.
I think it’s safe to say that Neil Jordan has a fondness for vampires. Byzantium is his second film about them, and although I haven’t seen Interview with the Vampire in a long time, I feel confident in stating that Byzantium, while dealing with similar themes, is superlative in every way.
As one of the most iconic horror movies ever—and certainly the most iconic Halloween horror movie ever—it’s hard to believe that there are still those (of a tender age) who haven’t seen the original Halloween, only seen it edited for TV, or via clips on YouTube. The new 35th Anniversary Edition, now on Blu-Ray from Anchor Bay, means, however, that there is no longer any excuse.
There’s a quote from Quentin Tarantino on the Blu-Ray case for Two Men in Manhattan: “Jean-Pierre Melville is to the crime film what Sergio Leone is to the western.” Those who’ve not yet heard of the French filmmaker might expect his films to be as brash and blood-soaked as Tarantino’s. Although Melville’s milieu was far more restrained, it’s no less exciting to watch.
When I was younger, probably around the age of 14, I would help my mother at her job. She would pay me a hefty allowance and I could spend that on whatever I wanted. I used to save up my cash, go on Ebay, and buy box lots of VHS tapes of horror films (I still do this by the way). I would buy anything that I saw on there and spend my weekends staying up late to watch these movies.
One of those large lots I bought contained a cut VHS box fitted into a clear clamshell. It read Hospital Massacre. Upon pulling several titles to watch one night, it was first on my list. Not only was Barbi Benton in it, but Boaz Davidson also directed it. He also directed my favorite ’80s teen film of all time, The Last American Virgin (in the same year of 1982, I might add.)
Frankenstein’s Army is the feature debut of director Richard Raaphorst, who’s worked as a concept artist and visualizer. A few years ago, he released some impressive teaser trailers for a planned film called Worst Case Scenario, which unfortunately never came to fruition because his financing fell through. Fortunately for us, he used many of those ideas in Frankenstein’s Army.
Frankenstein’s Army is less like a straight-up horror film and more like a home movie of a haunted house or a survival horror video game, but don’t let that scare you away, because then you’d be missing out on some incredible visuals.
Just when I thought Scream Factory has outdone themselves, they have the balls to release Dark Angel (a.k.a. I Come In Peace). I honestly don’t know where to begin with a film like this. First, it has Dolph Lundgren. Second, it has Dolph Lund . . . wait. It doesn’t matter what else it has; this film is insanely badass.