By Less Lee Moore
My first “grown up” album was Barry Manilow Live, which I received as a Christmas present when I was five. My sister Summer’s interest in rock and roll started at an earlier age; she was so obsessed with Billy Joel’s Glass Houses album that she received it for a present when she was two.
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By Hanna and Matt Keeley
Kristian Hoffman is perhaps best known for working with the brilliant Klaus Nomi; he was Nomi’s musical director and the wordsmith behind Nomi’s original songs. If you’ve sat down with the records, you know how good those songs were and still are, both in performance (there’s a reason Nomi’s one of Rush Limbaugh’s favorites) and in songwriting. Nomi should have conquered the world; instead, he died too early.
Hoffman, on the other hand, didn’t sleep, and has been working with loads of cool people, including James White and the Contortions, Rufus Wainwright, Sparks, Lydia Lunch and. . . look, this’ll just be a laundry list of who’s who in good music, so just rest assured: if they’re talented, he’s probably worked with ‘em. He’s also done solo records, of which Fop is the newest. It’s such an event that Popshifter enlisted TWO, count ‘em TWO, reviewers to cover it.
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By Matt Keeley
Sparks are awesome.
This is a given.
And, finally, Sparks have joined the rank of awesome things that have books about them. Two books, actually: Talent Is An Asset has already been reviewed in Popshifter, so now we bring you the other unauthorized Sparks bio, Dave Thompson’s Sparks: No. 1 Songs In Heaven.
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By Less Lee Moore
After all the articles I’ve written, after all the mix tapes and CDs I’ve made, after all the years of continual and ridiculous fangirling over Sparks. . . do I really need to convince you that they are one of the most wonderful bands of the last 40 years?
If only there were some sort of written chronology of their illustrious career, perhaps one that covers the band’s history, album by album, with salient or illuminating quotes from those who have known, followed, and worked with the band from its inception to the present day. . . it would just make things so much easier.
Thankfully, writer Daryl Easlea has answered my cries for help and written Talent Is An Asset: The Story Of Sparks.
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I had a pair of Sparks badges, Kimono My House-era, that I bought on Ebay when I first got into Sparks. (Yes, I was a latecomer). I loved them dearly and wore them on my green winter jacket. A few winters ago, I went on a trip to Amsterdam with my friend Zoe. When we got off the train from Schilpol to Amsterdam Centraal, there was naturally a huge group of people, and even as we were on the platform, I realized that I had lost my Ron badge, but it was too late. There was not going to be any searching around on the ground with such a massive hubbub. I like to think a Dutch Sparks fan found it and they lived happily ever after.
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In an editorial called “An Argument Against Year End Lists” Dusted‘s Ben Tausig calls them both “viscerally disgusting” and “overdone” and accuses those critics who write them of being lazy.
Point taken, Mr. Tausig.
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By Less Lee Moore
Since after nearly thirty years I still remain somewhat obsessed with Band Aid’s “Do They Know It’s Christmas?” single (despite how ridiculously offensive it is), naturally I was overjoyed when Megashaun pointed me in the direction of this MIDI version of the song.
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By Less Lee Moore
I grew weary of the Hutchence/Geldof/Yates love triangle drama in the ’90s, so I wasn’t completely shocked by Michael Hutchence’s death. But when the remaining band members subsequently devised a reality show to find a new lead singer, I was offended on behalf of Hutchence as well as my own ’80s INXS fandom. His voice was sensual and bluesy, yet perfectly poised for pop songs. I didn’t realize how much I missed it until he was gone. Which is why the fact that he’ll never be able to cover “Some Kind Of Wonderful” (or sing and perform ever again, for that matter). makes me so very sad. In addition, INXS was one of the rare bands who utilized saxophone judiciously rather than embarrassingly and that would have been a great asset in a reimagining of this song.
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Exotic Creatures
of the Deep, 2008
Hello Young Lovers, 2006