Looking For A Visionary: Redd Kross on YouTube

By Less Lee Moore

Although Redd Kross recently reformed with its finest line-up to date (Jeff McDonald, Steve McDonald, Roy “No Relation” McDonald, Robert Hecker) and although they have been playing shows all over the world for the past few years (UK, Spain, Los Angeles, San Francisco, Chicago. . . to name a few) I’ve chosen to focus on ten older videos (plus one honorable mention).
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When You’re Not Excited, You’re Not a Fan: An Interview with Nardwuar the Human Serviette

Interviewed by Less Lee Moore

Because the United States tends to dominate the entertainment industry, frequently one will hear entertainers referred to as another “version” of a well-known American pop culture icon. That’s what makes Vancouver’s Nardwuar the Human Serviette so special. There is no American equivalent. He is unabashedly Canadian.
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Do What You Love: An Interview with Artist Vicki Berndt

Interviewed by Less Lee Moore

I first became aware of Vicki Berndt via her Margaret Keane-inspired art for the Redd Kross Third Eye album. Then I started noticing that she was credited on photos for almost every other band I loved in the 90s.

Redd Kross, Third Eye © Vicki Berndt

She’s a devoted fan of music and pop culture, not to mention an innovative visual artist, so I was thrilled when she agreed to be interviewed for this issue of Popshifter. Her DIY attitude towards art and music is inspirational.
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Married and Buried: Punk As A Four-Letter Word, Part Two

By Less Lee Moore

Read Part One of this article here.

This year, I got a copy of Nirvana, a book by music journalist Everett True. Although I own Come As You Are by Michael Azerrad, I’ve never even read it. So to be fair, I read Azerrad’s book first.
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WASTED! The Top Five Most Inebriated Performances/Tours (In No Particular Order)

By Emily Carney

1. Jefferson Airplane, two nights in Germany, 1978

“Give me head.”

Grace Slick earned the sobriquet “the Liz Taylor of rock” during the 1970s due as much to her propensity for Liz-like excess as her attractive appearance. Her heights of Babylonian overindulgence climaxed with two wacky nights in Germany in 1978, during which Ms. Slick single-handedly managed to alienate an entire European nation and change the lyrics to much of her band’s back catalogue, both tasks equally momentous in scope. Some “highlights” of the performances: Grace, who appeared to be completely wasted and was drinking throughout the show from a Dixie cup, changed the lyrics of “White Rabbit” from “Feed your head” to, inexplicably, “Give more head.” It probably didn’t matter what she sang, given her throat sounded completely mangled anyway; she had probably also smoked about 100 Kools that day.
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Married and Buried: Punk As A Four-Letter Word, Part One

By Less Lee Moore

When others become misty-eyed with nineties nostalgia, I never know what to say. I’ve often felt like my memories of the decade are far removed from theirs. Although I liked some of the so-called “grunge” music, I resented the media co-opting of the word in an attempt to cash in on youth culture. It’s only recently that I started to feel like I may have been more attuned to the zeitgeist than I realized.
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Bedknobs and Broomsticks and That’s Not All: Lovedolls Superstar (Fully Realized) DVD

By Less Lee Moore

“Kelly Osbourne! She wasn’t even born yet. But her look was.”
—Redd Kross’ Jeff McDonald in the commentary to Lovedolls Superstar

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