Postcards From Divine, by Noah Brodie, Dan Marshall, and Michael O’Quinn
Posted in Blog, Books, LGBTQ, Reviews, Underground/Cult |By Eric Weber
In John Waters’ book, Shock Value (1981) he writes:
“The oddest question I ever get from college students is ‘Do you have parents?’ The first time I heard this, I was shocked. Did they think somebody found me under a rock and dragged me home? What person in his right mind would clone me, I wonder. ‘Everyone has parents, ‘ I tell them. ‘Even Lee Harvey Oswald had a great mother.’ I guess by this question they are tactfully trying to ask, ‘What on earth could your parents think of you?’ and this I can see, because whenever I read about some lunatic I admire, this question is the first thing that pops into my mind.”
One could easily imagine this question being asked of Divine—the late, great character actor who rose to fame as the female star of several of John Waters’ films. From Mondo Trasho (1969) to Hairspray (1988), Divine played a gamut of roles that ranged from deranged model (Female Trouble, 1974) to loving mother (Polyester, 1981). Divine became so associated with his over-the-top female characters, that many felt that he was in fact authentically female and lived up to his moniker, “The Filthiest Person Alive”—a title his character earned in the notorious Pink Flamingos (1972).
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