Best Of 2010: Janelle Monáe, The ArchAndroid

By Brenna Chase

There’s no need for a list. Devote all of your listening attention to Janelle Monáe’s The ArchAndroid. It was conceived by a twentysomething theatre major from Kansas, executive-produced by Sean “Diddy” Combs and Outkast’s “Big Boi” along with members of Monáe’s own creative outfit, The Wondaland Arts Society, and released on Bad Boy Records. If this seems a bit of a random selection, know that nothing about this album is typical.

The ArchAndroid is the epitome of risk and eccentricity. It’s a schizophrenic experience of genres, moods, characters, and themes. And, I promise you, it’s the only concept album released in 2010 that truly matters.
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Hanson Is Cool. . . Seriously

By Brenna Chase

Photo credit:
http://boston.com/

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is our entire five-part series on Hanson. Yes, Hanson.

Unless you are a Hanson fan, you may not be aware of these simple facts:
1. Hanson is still alive.
2. All three of them are of the male gender.
3. They are still together as a band

Allow me to clear this up for you. Yes, Hanson is very much alive and writing and performing songs—successfully enough, in fact, to make a living from it. Though you may assume they went out of style back in 1998 (if they were ever really “in style” at all), their new material is actually better than most of today’s mainstream pop music.
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Hanson Is Cool. . . Seriously, Part Five

By Brenna Chase

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part five of our series on Hanson. Yes, Hanson.

Read parts one, two, three, and four. To read the article in its entirety, go here.

Those who’ve dismissed Hanson as just another passing fad from the ’90s are under-informed. The band has earned three Grammy nominations, making Zac the youngest songwriter in history to receive such an accolade. They’ve sold over ten million albums, singles, EPs, and videos to date and continue to chart significantly with each independent release. Hanson is a model for how to survive and thrive in the dying, post-millennial music industry.
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Hanson Is Cool. . . Seriously, Part Four

By Brenna Chase

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part three of our series on Hanson. Yes, Hanson.

Read parts one, two, and three.

So Hanson is constantly moving forward, but they’re old school, too (apparently they’re one big paradox). Sure, they’ll always be associated with the ’90s-pop-MTV-generation, but the inspiration for the music they make goes back way further than that.
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Hanson Is Cool. . . Seriously, Part Three

By Brenna Chase

Photo credit:
Hanson.net

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part three of our series on Hanson. Yes, Hanson.

Read parts one and two.

By the way, while the rest of the world forgot about them back in 1998, Hanson has maintained a loyal fanbase that will buy from them and die for them. The band knows they owe their continued success to their (obsessively scary, 90% female) fans, and they do not take this for granted—they consistently give back to those who support them to make their fans feel special.
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Hanson Is Cool. . . Seriously, Part Two

By Brenna Chase

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part two of our series on Hanson. Yes, Hanson.

Go here for part one.

Although Hanson might be a more liberal, noncreepy, modern day version of the Osmonds, these guys are hipper than you might think. In a time when “indie” rockers are touted by major labels, Hanson is the true definition of a DIY band.

After the sophomore “slump” of their follow-up album This Time Around (a mere 262,000 records sold in 2000) and years of struggles with their label Mercury Records during the messy Island Def Jam merger, they parted ways with Mercury due to irreconcilable differences. Whereas countless bands in the same position were neglected and eventually dropped from their major labels when the overly confident industry of the ’90s was just beginning to collapse, Hanson got out of their contract on their terms and forged ahead on their own, by choice.
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Hanson Is Cool. . . Seriously, Part One

By Brenna Chase

Photo credit:
http://boston.com/

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part one of our series on Hanson. Yes, Hanson.

Unless you are a Hanson fan, you may not be aware of these simple facts:
1. Hanson is still alive.
2. All three of them are of the male gender.
3. They are still together as a band

Allow me to clear this up for you. Yes, Hanson is very much alive and writing and performing songs—successfully enough, in fact, to make a living from it. Though you may assume they went out of style back in 1998 (if they were ever really “in style” at all), their new material is actually better than most of today’s mainstream pop music.
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Top Ten Questions Everyone SHOULD Be Asking About Michael Jackson

By Brenna Chase

Rather than keep your eyes glued to your favorite news channel for the latest intrusive development or read another biased career retrospective on the recently deceased King of Pop, ponder these conundrums, posed by a true (frustrated) fan who pays attention to what’s really important.
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I Want My MTV: A Collection Of Nostalgic Complaints

By Brenna Chase

This month, Total Request Live ends its ten year run, marking the end of the oldest show still running on MTV and the end of “music” content on the channel for good. Everyone who grew up in the 90s has their memories of the viewer-controlled, top-ten-music-video-countdown, but was it ever really that great? Though the concept of TRL was geared to encourage viewers to vote like crazy to see their favorite video, it rarely showed music videos in their entirety. The show always lacked a much-needed charismatic host (did anybody ever like Carson Daly?). And while I started tuning in every day after school once the show premiered, I stopped watching years before the network (ironically) began pre-taping half of the week’s “live” episodes. I actually agree with MTV’s decision—a rare occurrence these days—to pull the show off the air. TRL sucks, and it has sucked for a long time. So why is it such a shame to see it go?
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