The Greenhornes, “★★★★”

By Adam McIntyre

It doesn’t matter whether or not you’ve heard The Greenhornes before before; a recent hiatus for the Cincinnati trio has only helped their legend grow.

The rhythm section of Jack Lawrence and Patrick Keeler, once great and intimidating, has only become more effective during their time with other bands (The Raconteurs, Dead Weather, and Loretta Lynn, to name a few). Front man Craig Fox, meanwhile, has created such a lean and well-written catalog of garage, pop, psychedelic, and soul numbers over the last few years that “★★★★” sounds much like a brilliant career retrospective. It’s suspiciously good.
(more…)

The Futurebirds, Hampton’s Lullaby

By Adam McIntyre

On Hampton’s Lullaby, The Futurebirds create lush, reverby indie pop with varied acoustic instrumentation and those western Americana leanings. These guys from Athens harmonize, they twang with beards, they do some pretty damned interesting gritty guitar solos. . . and did I mention that they like reverb?

They’ll probably stop just short of reminding you of My Morning Jacket (though they do remind me a bit of a favorite band of mine, Hands Down Eugene) and in spite of the steel guitars and southern-sung style, they’re unlikely to evoke a country vibe. More like Pernice Brothers having a country-tinged lullaby writing session.
(more…)

Crudbump, NA$TYJAM$

By Adam McIntyre

The latest effort/persona from Drew (of Toothpaste For Dinner, Married To The Sea, and others): Crudbump.

Bathe in its magnificence. . . wait, did you hook up a subwoofer? I told you to hook up your subwoofer. Pretty sure I did tell you. You’re going to need it.
(more…)

Quantizing Your Pulse: The Heart Is A Drum Machine

By Adam McIntyre

“Why music?”

The Heart Is A Drum Machine attempts to answer that question in several ways with testimonials from musicians, actors, scientists, and doctors. Bookending the film are two little pieces with Ann Druyan, producer of the Cosmos television series (starring her husband, the late astrophysicist Carl Sagan) and the human responsible for choosing the music on the Golden Record included during the deep space probe of Voyager. Even if you don’t believe in life on other planets, including this record on Voyager is a gesture of poignant optimism; it’s entirely likely that the record would be damaged or misunderstood in purpose when discovered.
(more…)

The Remakening: Movies That Should Be Remade

Intro by Less Lee Moore

A February article on Horrornews.net proposed a list of 13 movies that need to be remade. While I didn’t agree with all of the films listed, it got me thinking.
(more…)

Them Crooked Vultures, S/T

By Adam McIntyre

Come over to my recording studio and let’s listen to something very loud.

Here’s why I have a major hard-on for Them Crooked Vultures: it’s tailored for me. I mean, I am its target audience. I have intense respect for each of the four musicians involved, certainly bordering on talent-based mancrushes. I mean. . .
(more…)

Spoon, Transference

By Adam McIntyre

Definitive proof that there is a Spoon.

I wanted a little something different from Spoon this time, and instead of floundering, the Austin, Texas indie rock idols trimmed away some of their own clichés for some spare, sleek grooves.

I have to admire their confidence; surer footsteps were never danced. I mean that—about the dancing. The listening experience is evocative of being in near-darkness watching someone beautiful dancing, both uninhibited enough to be sexy and yet gracefully measured enough to be demure.

Transference sounds incredible, almost Peter Gabriel-like in the pristine production’s service to the almighty beat, with comforting, vibey moments of mono lo-fi recordings cut in for emphasis. The first two-thirds of the album are nearly infallible as individual packages, with the last bit of the record comprised of songs that would be considered pleasant even by harsher critics.

Give this record a listen any time you want the following: something sparse and yet interesting; something achingly lonely and yet danceably groovy; and something understated, yet beautiful.

Transference was released on January 19. Spoon are currently touring the UK and the US. To find out more, visit Spoon’s Official Website or MySpace page.

Wolfmother, Cosmic Egg

By Adam McIntyre

Egg Sandwich

Cosmic Egg contains more high-energy, unapologetic Guitar Hero heavy rock from Wolfmother. The lyrical content is about the same as before (moon, sky, woman, mythical stuff), but the band are tighter from relentless touring and ultimately the record sounds awesome. You need to take this stuff about as seriously as you need to take KISS. Just enjoy it; it’s arena rock for your backyard party. Some of it might even be great for driving fast.

Ultimately, after a couple listens, I think this has been as digested as it’s going to get. If you’re okay with that, grab yourself some Wolfmother. My favorite track so far is “In The Castle.”

Cosmic Egg was released October 23 of 2009. Wolfmother are currently touring the UK, Europe, and Australia. For more, check out the band’s Official Site or MySpace page.

Otis Redding, The Best: See & Hear

By Adam McIntyre

A new release of a refreshingly different kind, Otis Redding: Respect Live 1967 is the bonus DVD accompanying Shout Factory’s new best-of Otis Redding CD. Despite being presented sort of strangely, the DVD of a pair of performances from 1967 is mandatory viewing for a vast cross-section of music lovers.
(more…)

The Flaming Lips, Embryonic

By Adam McIntyre

Nothing makes me sicker than hype, and people hyping things up unnecessarily, so I’m going to make this review as short as possible because there is about to be a tsunami of nauseating hype surrounding the new Flaming Lips album, Embryonic.
(more…)