San Diego Comic-Con Diary, Day Four

By Christian Lipski

Read:
Day One’s Diary
Day Two’s Diary
Day Three’s Diary

And then there was the last day. We eventually got up and packed our bags for checkout, and made our way to the convention floor for our last visit. Since it’s the last day and exhibitors want to ship as little as possible back home, there are rampant sales and many attendees only buy Sunday tickets.

Mile High Comics put their entire stock on sale for 50% off, for example. Independent publishers were willing to make deals, for the most part.The show closes at 5 p.m. as well, so the action in the convention center was tinged with both sadness and anxiety.
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San Diego Comic-Con Diary, Day Three

By Christian Lipski

Read:
Day One’s Diary
Day Two’s Diary

After going to bed sometime after 1 a.,m. the night before (late dinner), Saturday morning was pretty much a wash. I had a press conference for Futurama at 11:30 a.m., so I took off for the convention center. The room was about two-thirds full, and we all shifted about until the event began.

Matt Groening, David X. Cohen, Billy West, Maurice LeMarche, and Lauren Tom filed in to have their pictures taken before ascending the dais. They apologized for the absence of the voice of Bender, John Dimaggio, but it was explained that “Dimaggio” was Italian for “running late.” He did show up presently, and the conference began.
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San Diego Comic-Con 2010 Diary, Day Two

By Christian Lipski

Read:
Day One’s Diary

By the second day I feel much less pressure; I’ve already made a day’s worth of forays into the wilds, and though I haven’t seen nearly all of what there is, I have a good sense of the floor’s layout and content. I also know that it’s nearly useless to try to get into large sessions, since the amount of time you need to devote to the line-waiting is better spent wandering the floor below.
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San Diego Comic-Con 2010 Diary, Day One

By Christian Lipski

Wednesday night was a long night of travel, so we didn’t get to sleep until 1 a.m. Upon rising at seven, I cursed the medium of the sequential image as we struggled to get ready.

We go to the parking garage at 10:30, and walked the mile to the Convention Center. You know you’re getting close when you see the TRON banner start to appear on lampposts, and even a replica of Flynn’s arcade from the movie. The amount of people in costume increased, and so did the amount of people handing out flyers and laminated cards and magazines. These last items tended to create a kind of carpet on the sidewalks that led to the doors of San Diego Comic-Con.
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We Are Going To Eat You, Too

By Less Lee Moore

Click the image for
a larger version.

If you live in the Atlanta, GA area, do not miss “We Are Going To Eat You, Too,” a sequel to the 2009 show at MINT Gallery, which opens on Saturday, April 17. (Hell, even if you don’t live in the Atlanta area, it will be worth the trip.) And unlike many horror movie sequels, this one promises to be just as amazing (if not more so) than the original.

Eric Weber is once again curating this artistic tribute to underground and cult movies. Eric writes for Popshifter, and is also an artist, photographer, and sometimes-draftsman of floor plans for the layout of the Golden Girls house. (For serious.)

Check out the MINT Gallery site for details and read more about Eric’s motivation for putting these shows together in the preview feature about the exhibit on Creative Loafing.

You can also read a great interview with Eric about his art from Popshifter‘s September/October 2009 issue. Don’t forget to check out his other Popshifter articles while you’re at it!

“We Are Going To Eat You, Too” runs from April 17 through April 25 at the MINT Gallery, a non-profit community oriented art gallery located at 684 B John Wesley Dobbs Avenue in Atlanta, GA.

Top Five Funniest Evil Mad Scientists

By Lisa Anderson

The Evil Mad Scientist is a familiar figure in popular culture, and is found most often in science fiction, horror, or superhero tales. Evil Mad Scientists are not to be confused with their more benevolent counterparts, like Emmett Brown of Back to the Future. While the Evil Mad Scientist can be a figure of great terror, when this archetype is used for comic effect the results can be hilarious. Following are five of the best examples.
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William S. Burroughs, A Man Within: Interview With Filmmaker Yony Leyser

Interviewed by Kaye Telle

“Back in 2005, when I was 21 years old, I got my hands on a nice video camera and decided to make a documentary about William S. Burroughs. When I started making a documentary about William S. Burroughs, I had no idea it would turn into THE documentary about him.”
—Filmmaker Yony Leyser

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Cinema Wasteland Movie And Memorabilia Expo 2009: Cleveland

By Julie Finley

Cinema Wasteland Movie And Memorabilia Expo is a bi-annual film convention that typically takes place during April and October in the Cleveland, Ohio Metro area. It’s put on by Cinema Wasteland, a mail order video service. The event started in 2000 as a response to the banality of most film conventions and trade shows. The idea was to combine the more interesting elements of this niche circuit, which would be: film screenings (mainly horror, indie, B-movie, or newer and older cult films); industry “special guests” (typically actors and crew from various films); and vendors selling films and memorabilia. It also has a masquerade element to it (as in, costumes are definitely encouraged). The idea was to be more engaging than just table after table of people selling crap.
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Sync Diary: Music, Movies, Madness!

By John Lane

Dark Side of the Rainbow (also known as Dark Side of Oz or The Wizard of Floyd) refers to the pairing of the 1973 Pink Floyd music album The Dark Side of the Moon with the visual portion of the 1939 film The Wizard of Oz. This produces moments where the film and the album appear to correspond with each other.
—“Dark Side of the Rainbow,” Wikipedia

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The Sick Brick: Eric Weber’s Lego Art

Interviewed by Less Lee Moore

Eric Weber is an incredibly interesting and inspirational person. He’s a cult movie junkie, horror film fanatic, Divine devotée, and luckily for us, he writes about these things for Popshifter.

He’s also a visual artist who includes sketching, painting, and photography in his repertoire.

When he’s not following one of his many artistic and creative pursuits, he reenacts scenes from some of his favorite films in Lego form and photographs them.
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