Livide
New on Popshifter this week: Reviews of Turing Machine’s latest release What is the Meaning of What, the remastered reissue of Hey Little Richard, and You and I in Heaven, the new EP from Tyburn Saints.
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Velvet Goldmine, 1998
New on Popshifter this week: reviews of the recently reissued Beginnings, Rick Springfield’s 1972 US debut album; Theresa Andersson’s latest album Street Parade; Beatles documentary Strange Fruit; Apples in Stereo’s Chris McDuffie’s solo release as Whitejacket, titled Hollows and Rounds; and The Ian Hunter Band’s Rockaplast concert on DVD.
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By Less Lee Moore
I never even heard of Lana Del Rey until I saw this posted on a friend’s Facebook wall on January 14: “What is this Lana Del Rey shit?”
It was, of course, a reference to that infamous, scandalous, controversial, polarizing (pick one or come up with your own) Saturday Night Live performance. I don’t watch SNL so I didn’t see it.
The next day, January 15, another Facebook friend posted a link to Lana Del Rey’s video for “Born To Die.” I listened to it. I loved her voice and I thought the song was rather intriguing and different. Del Rey was certainly beautiful, with a distinctive look and sound. I watched a few more videos of hers “Blue Jeans,” “Video Games,” and “Mermaid Motel.” They were all good.
Then I started reading online about the backlash before the SNL backlash. How Del Rey was an indie poseur, blah blah blah. I felt bad for the poor girl. I felt like if everyone was going to hate on her, I was going to like her just to spite people. (I can’t help it; it’s what I do.)
Other than posting a link to the “Born To Die” video on my own Facebook wall and a link to the January 16 Brian Williams email article on Gawker, I have not posted much about her online. Yet I couldn’t escape the haterade that everyone on the Internet seemed to be drinking. It was everywhere I looked and I wasn’t looking for it. Within about a week, she came up in a real-life conversation and that’s when I started Googling her.
New York Magazine‘s Entertainment section has a nice timeline of events that you can check out here. I admit it looks like I’m copying them with my own timeline below, but mine is a bit different.
Rather than try to dissect and comment on each and every blog post I’ve read about Lana Del Rey (which would surely require at least a week and I do have other things to do) or even the ones I’m linking below, I’m just going to include some salient quotes and let you be the judge.
At this point, you’re going to think what you want to think about Lana Del Rey so maybe you’re thinking “why bother?” I will point out that these links are available to everyone with a computer and an Internet connection. It seems like people (including music blogs and others) are content to follow the meme of the moment without questioning it (or the biases of the blogosphere, much less their own biases) or even doing their own research. I wanted to do my own research and decide for myself. So here you go. (more…)
Visual representation of
the Internet from
the Opte Project
Over the last few weeks, the blogosphere was in an uproar over SOPA and PIPA, two pieces of proposed legislation set to appear before the House and the Senate in January. While the alleged intention of the legislation was to thwart online piracy of movies and other media, opponents expressed concern that the actual effects of the bills would be far more insidious and damaging to the Internet, claiming that it would drastically change not only the structure of the Internet, but the way people use it. Although both SOPA and PIPA are US legislative proposals, there was an overwhelming fear that they would cripple Internet usage on a global scale.
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By Less Lee Moore
Living on the Internet means that you often have to dodge spoilers. Luckily, the Internet is also so crammed with information there are enough things with which to distract yourself.
Such was the case with Catfish, a 2010 documentary that caught my attention via its unsettling trailer, which seemed like a faux documentary horror movie along the lines of The Blair Witch Project or the Paranormal Activity series. It was clear that an appreciation of the film was a case of “less is more,” so I added it to my DVD queue and successfully avoided spoilers for almost two years.
When I finally watched Catfish earlier this week, my stomach was in knots for at least 45 minutes until the movie completely . . . I’ll stop here because if you haven’t seen Catfish, you should watch it, and you should watch it not knowing any more than I did.
Catfish is a remarkable film and one that is thrilling, upsetting, disturbing, and moving. It makes incredible use of technology in its presentation of the Internet persona through GPS, Google, YouTube, Facebook, and all the other forms of social and searchable media we use every day. Such technology is so easily accessible and so widely used that it becomes a part of our lives that we take for granted, even though we assign it so much importance. We take all the veracity it reveals to us on faith.
As far as Internet personas, it’s common knowledge that we want to show everyone the best of ourselves, even if that means we make ourselves seem better than we are. But there is always a gap between our “real” selves and our Internet selves.
The width of this gap will likely determine how you treat your Internet friends. Do you treat them the same as your “real life” friends? Better? Worse? Do you subscribe to the “It’s just the Internet” theory to make yourself feel better about what you see and read there? The width of this gap will also determine how much Internet interactions affect you when you’re not on the Internet.
These were the ideas swirling around in my head right after I watched Catfish and right before I started looking up reviews online. Then, much like the film itself, everything changed. SPOILERS BEHIND THE CUT! (more…)
As always, I wish I’d had the time and resources available to experience more, but here are some of the things that made 2011 memorable (in alphabetical order, to be fair).
À l’Intérieur (Inside) at TIFF Bell Lightbox, August 20: Though I’d already watched this film three times on DVD, I felt that I needed to see it on the big screen. I’ve probably said this a few times already, but it’s still true: it manages to completely transcend the horror genre to become a bona fide work of cinematic art. It is indescribable and powerful and if you haven’t experienced it yet, you should.
Adam Ant: For all those folks who thought he was a crazy, bloated has-been, recent live performance clips on YouTube will more than prove those half-baked theories wrong. He’s so much more than the guy who did “Goody Two Shoes” and any and all adulation for him is well deserved. His descent into madness, fall from grace, and subsequent return to form (used in the truest, most non-cliched sense ever) are remarkable achievements. He remains, after thirty years, a huge inspiration to me. (more…)
By Cait Brennan
“There’s nothing on,” you say. A strangely common complaint in an era with hundreds, if not thousands, of 24-hour-a-day channels. Once upon a time, there was literally nothing on, because the two or three local stations your town was lucky to have would shut their transmitters off at 11 p.m. Stations invented every possible kind of stunt (up to and including running the weatherman’s home movies) to fill airtime, but eventually the exhausted staff would finish the late local news, have a priest give a drunken invocation, run the national anthem, and pull the damn plug.
But as the signals died, there through the flickering static, in the dark dead of night, one station would keep its dim light on, transmitting faded images of 1930s ghouls into your darkened living room. Then, out of the black, when it all started getting just a little too real, some character covered in blood cut their way into the movie and cracked wise. You’ve just met your horror host, and whether your movie was terrifying or just terrifyingly awful, spooky late nights never had a better friend.
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By Lisa Anderson
Even casual fans of Joss Whedon know that strong female characters are important to him. Buffy the Vampire Slayer, Echo from Dollhouse, and Zoe from Firefly are only a few examples. What casual fans may not realize is that women behind the scenes—Whedon’s fellow writers and producers—have also helped make his storylines beloved to so many fans. They include Jane Espenson, Marti Noxon, Maurissa Tancheroen, and Felicia Day.
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By Jemiah Jefferson
In 2011, what does “relevance” mean? A term heavily bandied about by the music press, especially in the UK, a band’s relevance is of paramount importance, ranking ahead of sexiness, competency, or pure enjoyment. Perhaps for these reasons, Duran Duran hasn’t been necessarily “relevant” since their second album Rio set a new bar for all musical artists everywhere.
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By Janet Brusselbach
It feels really good to be listening to free music that’s not only intended to be free, but that’s also really good.
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