Time travel shows that use innocuous items to send their users years into the past are my beat here on Popshifter. The new FOX mid-season comedy Making History, though, is a very rare example of a network series that takes a cable concept (in this case, Comedy Central) and does nearly every part of it better by fully fleshing out and committing to its characters and their relationships, rather than watering them down in order to get to their next joke.
First and foremost, it has to be said that there are many movies that were released this year that I have not yet had the privilege to see. Several of those have yet to be released in theaters, or haven’t made it to DVD yet, so I’ll save that for another post. That being said, let’s get on with the list. This is also not the easiest list to put in any kind of order, so I’m not going to number them.
By Tyler Hodg
With the release of Rogue One: A Star Wars Story approaching quicker than Poe Dameron’s X-Wing, it’s easy to forget the film will hit theatres in less than two weeks.
That’s why I have compiled simple and entertaining ways to get well-versed on the film, all while saving the full experience for the big screen.
By Brian Baker
That’s not to say I don’t like it, or dislike it. Science fiction is just not my milieu when it comes to films. All that diplomacy between antagonistic alien species and the Federation of Planets has never been an impetus to get me to the theater. I also don’t play favorites. That means I’m not into Star Wars or Battlestar Galactica, either.
By Ben van D
The truly terrific soundtrack should be harmonious with its narrative and transcend and elevate the work as a whole. After all, Psycho isn’t Psycho without its violent shower strings; Star Wars isn’t Star Wars without its “Imperial March;” and the panther isn’t pink without Mancini setting the palette. JG Thirlwell is equally inseparable from the DNA of the Venture Bros., and this collection is hard evidence as to why.
I like the idea of collecting the musing and essays from individual Arrow releases into a single bound book. In theory, that is. In reality, if I’m interested in reading analysis on a specific film, like Dressed to Kill, wouldn’t I already have that Blu-ray in my collection?
There’s a chance the answer to that tug of war will color the amount of value you’re able to find in Cult Cinema: An Arrow Video Companion. I flip-flopped on this as I meandered through its pages. When faced with a piece on Zombie Flesh Eaters I struggled to muddle through. Perhaps a mix of topic and writing style, I just couldn’t commit to paragraph after paragraph on a movie I didn’t have much interest in, and that was my reaction to the majority of this book.
This arc of Lucha Underground is the beginning of the drive to Ultima Lucha Dos, the second season finale of the show. It’s where all the established storylines are set to climax and, in some cases, converge. Last year’s two-part finale was the best episode of Lucha Underground so far, and did a great job of setting the wheels in motion for Season Two. Ultima Lucha Dos should be at least as explosive, based on the pieces being put into place.
By Tim Murr
Following up 2014’s Doom Fortress (review), Detroit, Michigan’s Voyag3r returns with a spaced-out concept album called Are You Synthetic? Artist and Acid Witch singer Slasher Dave provides the gorgeous album cover, outdoing his iconic cover for Doom Fortress. Musically Voyag3r continues to give fans what they want while growing and evolving.
Hey, I just met you,
and this is crazy,
loves lucha libre!
It’s been a few weeks since we’ve visited the Temple, and with Dario Cueto back in control and his feral brother Matanza as champion, the whole show has a different feel. Gone is Mil Muertes looming over the Temple on his throne and the candles and other spooky touches Catrina put in Dario’s office. Instead we’re back to having live bands play us into the shows and a general feeling that chaotic violence can erupt at any time. I have to say that I’m glad to have Dario back in the backstage vignettes in particular, because he’s a much better actor than Catrina and has his sadistic douchebag character down pat.
Documentaries about alternative religious belief systems are always a dicey watch, especially if the religion being examined doesn’t jibe with your own or sounds totally off the wall. The temptation to snicker or outright mock the people who believe this crazy stuff is always there. But religion is such a personal thing; laughing at someone about what they believe just feels disrespectful.