Bigger Than Us: Q&A With White Lies

By Jim R. Clark

If you haven’t listened to White Lies’ debut album, To Lose My Life yet, well then, what are you waiting for? Now is the time. Their new album, Ritual, was released on January 18. Much like reading chapter two in a great novel, you won’t want to forge ahead without reading chapter one first.

As you may know from reading my previous articles, I’m an avid fan of the ’80s electronic sound, so I’m excited. Personally I’m still hoping for a cover of Alphaville’s 1985 song, “A Victory Of Love,” but I think that may be asking too much. (For some reason, I’m convinced that this song would make for an awe inspiring show stopper if given the White Lies treatment, but then again, that’s just me.)

White Lies just completed a few dates in the US and North America (sadly, their NY show was canceled due to a snowstorm) and has scheduled a British tour in February to promote Ritual, so if you’re reading this in Britain, then get up and buy some tickets. And if, like me, you’re not in Britain, try to catch them on Later . . . with Jools Holland reruns on BBC America.

The band took some time out from their busy touring schedule to answer a few of my burning questions and shed some light upon their dark and mysterious nature, hinting at the more electronic sound for their second album.
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The Adventures Of Miss Flitt: Q&A With Designer Beth Hahn

By Chelsea Spear

In the late 2000s, knitwear designer Beth Hahn took the knitting world by storm with her series, The Adventures of Miss Flitt. Blending steampunk-friendly Victorian style, elegant knitwear designs, and an addictive narrative, the series follows the adventures of Emma Flitt as she traverses 19th century Brooklyn to find her sister. Her travels take her to seedy vaudeville theaters, pickpockets’ dens, and—in the most recent edition—to a most spooky séance. Ever the master storyteller, Hahn weaves her story through a series of simple-yet-gorgeous and thoroughly wearable cardigans, berets, overskirts, and other accessories.

On a chilly weekend in early January, I took virtual tea with Beth Hahn to find out more about her knitting endeavors.
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A Goddess At The Console: Q&A With Mary Edwards

By John Lane

In another era, Mary Edwards might have been a behind-the-scenes songwriter in the famous Brill Building, that renowned stable of musical artisans that included Goffin & King, Laura Nyro, and a host of others. Instead, in this era, we are lucky to have singer/songwriter Mary Edwards in clear view. Her music is characterized by a smooth charm that draws upon soft-pop, jazz, and funk, framed with a soulful voice that is reminiscent of Dionne Warwick in her prime; her attitude reflects an almost guileless enthrallment with music and the sometimes subtle, gifted influences that can become songwriting fodder. I caught up with Mary upon the recent release of her latest album, Console.
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Communications With Aliens: Q&A With Dr. Richard Doyle, Penn State

By Emily Carney

The original Voyager Golden Record

Recently, Popshifter reviewed the release Scrambles of Earth from Seeland Records. This recording consists of sounds from The Voyager Golden Record (sent into space on Voyager I and II in 1977 as sort of a message to extraterrestrials and as a space “time capsule”) allegedly remixed by some sort of extraterrestrial beings. The original record consisted of songs from all over the Earth, greetings from various then-contemporary world leaders, greetings in assorted foreign languages, and 116 images of Earth life.

I recently conducted a brief Q&A with Dr. Richard Doyle, English faculty member of Penn State University, about the various transmissions which comprise this audio recording. Dr. Doyle has been described as a “Rhetorician of Alien Communication,” so I had no doubt that his answers would be enigmatic and curiosity-arousing at best. Dr. Doyle did not fail to surprise me with his answers from our brief interview.
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Blood Writes: Q&A With Author Alex Bledsoe

By Lisa Anderson

Alex Bledsoe is the author of the novels of the Memphis Vampires: 2009′s Blood Groove and The Girls with Games of Blood, which was released earlier this year (both from Tor books). For Popshifter‘s Halloween Horrors issue, he recently took time to answer some of my questions about writing and the bloodthirsty monsters currently enjoying such popularity.
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TITLE?? Q&A With Hiro Hayashi Of POLYSICS

By Matt Keeley

As I mentioned a few weeks ago on the Popshifter Blog, POLYSICS are the best band in the universe.

Their DEVO-inspired, frenetic sound not only made them huge in their native Japan, but also a cult band with ever-increasing presence around the world. After their sold-out concert in Bukodan, which was their last show with Kayo, keyboardist and co-vocalist, their guitarist Hiro Hayashi agreed to do an email interview with Popshifter about his musical influences and the future of POLYSICS.
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More Than Shakespeare Slash: Q&A With Author Myrlin Hermes

By Jemiah Jefferson

The Lunatic, the Lover, and the Poet, the new novel by Portland, Oregon author Myrlin A. Hermes, dismantles some of the best-known works of literature in the English language—the plays and sonnets of good ol’ Willie Shakespeare, most particularly Hamlet—and builds from their parts a unique, steamy, bisexual love triangle between three famous characters.
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The Rebirth Of The Un-Dead: Q&A With Dacre Stoker

By Lisa Anderson

Dacre Stoker, the great-grandnephew of Dracula author Bram Stoker, has co-written an official sequel, Dracula: The Un-Dead, along with screenwriter Ian Holt. I was fortunate enough to get to meet Dacre at a signing at Sherlock’s Books in Lebanon, TN this past December, and he graciously agreed to follow up with an interview by email.
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From The Daily Cal To The New Yorker: Q&A With Shannon Wheeler of Too Much Coffee Man

Interviewed by Christian Lipski

I first encountered Shannon Wheeler’s work when we were undergraduates at UC Berkeley and he drew a strip called Tooth & Justice in the school paper, The Daily Californian. He’s best known now for the character Too Much Coffee Man, who became Wheeler’s voice for social commentary and satire.

The TMCM comic series earned an Eisner award in 1995. Wheeler’s current home, Portland Oregon, saw the premiere of the Too Much Coffee Man opera in 2006 (and its extended “refill” in 2008). Wheeler also created Postage Stamp Funnies for The Onion’s print edition, and is publishing his cartoons in The New Yorker.
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The Sick Brick: Eric Weber’s Lego Art

Interviewed by Less Lee Moore

Eric Weber is an incredibly interesting and inspirational person. He’s a cult movie junkie, horror film fanatic, Divine devotée, and luckily for us, he writes about these things for Popshifter.

He’s also a visual artist who includes sketching, painting, and photography in his repertoire.

When he’s not following one of his many artistic and creative pursuits, he reenacts scenes from some of his favorite films in Lego form and photographs them.
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