Top Ten Romantic Comedies: A Valentine’s Day List

By Lisa Anderson

I Love You Phillip Morris

The romantic comedy: it’s the most reviled of genres, and yet also the most resilient. There’s an assumption that men only go see them out of obligation . . . although men are likely to enjoy the good ones, and women are likely to dislike the bad ones. Too many rom-coms rely on mutually insulting stereotypes (the commitment-phobic man, the miserable career woman), predictable plots (boy meets girl, boy does something stupid), and problematic supporting characters (Sassy Black Friend, Sassy Gay Friend).

Nevertheless, they keep getting made, and they keep making money. This is because among the scores of bad rom-coms, there are gems. Almost everyone can think of a few that have actually made them laugh, and managed to resonate with their feelings and experiences. Here are a few of mine, in no particular order.
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Letters To An R&B Contrarian, or: Why R. Kelly Matters

By Paul Casey

Dear _____,

How are you? I was pleased to receive your last letter. I am glad that you are proceeding well with your descent into the mire of popular music and that you no longer scoff at the genre of R&B in such an ill conceived and self-satisfied manner. That you can acknowledge you were mistaken to hold that Keane album above “any R&B album of the last twenty years” is something.
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Do You Want Trombone Or Do You Want The Truth?

By Jimmy Ether

In the documentary Kill Your Idols, Lydia Lunch expressed her frustration with the current music scene:

“The commodification and homogenization of especially bass, guitar, and drums is the downfall of music. Where’s the fucking tuba? A trombone! Anything but a bass, guitar, and drums!”

That seems an odd statement coming from someone who very successfully used those very instruments with Teenage Jesus and the Jerks to challenge rock conventions along side bands like D.N.A., Mars, and many of the other bands from the influential New York City No Wave scene. To a certain extent, she has a point.
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Armchair Casting Director: Dark Shadows

By Lisa Anderson

As a pre-teen vampire fan in 1991, I was very excited when NBC launched Dark Shadows, starring Ben Cross as vampire Barnabas Collins. The show got good ratings, but was pre-empted so often by Gulf War coverage that it was canceled in March after premiering in January. I realized at the time that it was a revival of an earlier show, but it wasn’t until I was in college that I got to watch some of the original Dark Shadows, which aired on ABC from 1966 to 1971, and in which Barnabas was played by Jonathan Frid.
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Hanson Is Cool. . . Seriously

By Brenna Chase

Photo credit:
http://boston.com/

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is our entire five-part series on Hanson. Yes, Hanson.

Unless you are a Hanson fan, you may not be aware of these simple facts:
1. Hanson is still alive.
2. All three of them are of the male gender.
3. They are still together as a band

Allow me to clear this up for you. Yes, Hanson is very much alive and writing and performing songs—successfully enough, in fact, to make a living from it. Though you may assume they went out of style back in 1998 (if they were ever really “in style” at all), their new material is actually better than most of today’s mainstream pop music.
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Hanson Is Cool. . . Seriously, Part Five

By Brenna Chase

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part five of our series on Hanson. Yes, Hanson.

Read parts one, two, three, and four. To read the article in its entirety, go here.

Those who’ve dismissed Hanson as just another passing fad from the ’90s are under-informed. The band has earned three Grammy nominations, making Zac the youngest songwriter in history to receive such an accolade. They’ve sold over ten million albums, singles, EPs, and videos to date and continue to chart significantly with each independent release. Hanson is a model for how to survive and thrive in the dying, post-millennial music industry.
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Hanson Is Cool. . . Seriously, Part Four

By Brenna Chase

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part three of our series on Hanson. Yes, Hanson.

Read parts one, two, and three.

So Hanson is constantly moving forward, but they’re old school, too (apparently they’re one big paradox). Sure, they’ll always be associated with the ’90s-pop-MTV-generation, but the inspiration for the music they make goes back way further than that.
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Hanson Is Cool. . . Seriously, Part Three

By Brenna Chase

Photo credit:
Hanson.net

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part three of our series on Hanson. Yes, Hanson.

Read parts one and two.

By the way, while the rest of the world forgot about them back in 1998, Hanson has maintained a loyal fanbase that will buy from them and die for them. The band knows they owe their continued success to their (obsessively scary, 90% female) fans, and they do not take this for granted—they consistently give back to those who support them to make their fans feel special.
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Hanson Is Cool. . . Seriously, Part Two

By Brenna Chase

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part two of our series on Hanson. Yes, Hanson.

Go here for part one.

Although Hanson might be a more liberal, noncreepy, modern day version of the Osmonds, these guys are hipper than you might think. In a time when “indie” rockers are touted by major labels, Hanson is the true definition of a DIY band.

After the sophomore “slump” of their follow-up album This Time Around (a mere 262,000 records sold in 2000) and years of struggles with their label Mercury Records during the messy Island Def Jam merger, they parted ways with Mercury due to irreconcilable differences. Whereas countless bands in the same position were neglected and eventually dropped from their major labels when the overly confident industry of the ’90s was just beginning to collapse, Hanson got out of their contract on their terms and forged ahead on their own, by choice.
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Hanson Is Cool. . . Seriously, Part One

By Brenna Chase

Photo credit:
http://boston.com/

To celebrate the upcoming release of Hanson’s newest album, Shout It Out, and to commemorate their recent “5 For 5″ concerts, here is part one of our series on Hanson. Yes, Hanson.

Unless you are a Hanson fan, you may not be aware of these simple facts:
1. Hanson is still alive.
2. All three of them are of the male gender.
3. They are still together as a band

Allow me to clear this up for you. Yes, Hanson is very much alive and writing and performing songs—successfully enough, in fact, to make a living from it. Though you may assume they went out of style back in 1998 (if they were ever really “in style” at all), their new material is actually better than most of today’s mainstream pop music.
(more…)