I have had the pleasure, nay, honor of being able to review the book Hunting Witches by our very own Jeffery X Martin. This “non-vel”, as he calls it, took many months of work, blood, sweat, and alcohol to construct, and it is more than worth the wait since the last installment of the happenings in Elders Keep. The Elders Keep anthology began as a series of short stories, released individually on Amazon, and can now be acquired in the form of Black Friday, which includes the stories that started it all: “Be Sweet,” “Mouth,” and “Candy.” “Mouth” personally had me cringing, which is not easily accomplished from words on a screen or paper. You can bet, I will be giving that book another read just to fit everything together again.
Happy Mother’s Day! Wondering how to pay homage to your mother, pop culturally speaking? Why not enjoy one of these films or TV shows featuring the Top Ten Best Moms in Pop Culture! If you want to feel better about your problematic family dynamic, you could always try the alternative: Here’s a list of the Top Ten Worst Moms in Pop Culture. (Thank Laury Scarbro for the lists, while you’re at it!)
Is Alicia Florrick a good mom in addition to being The Good Wife? The Hairpin pays tribute to this soon-to-be-over TV show with a series of fantastic and funny articles.
One thing a good mother shouldn’t do is leave her kids with a babysitter like Emelie. Tim Murr takes a look at the perils of childcare in the film of the same name, out now on home video.
For another kind of mother, you might be interested in this list of The Best Witch Cinema You Haven’t Seen from Alison Nastasi on Flavorwire. I haven’t seen or even heard of any of these films, so naturally I’m totally excited to watch all of them.
I might not be a part of the Alliance of Women Film Journalists, but I can assure you that film journalism is definitely, as Women and Hollywood puts it, a “dudeocracy.” What can be done about it? Read the article for some ideas on how we can smash the patriarchy of film criticism.
Although critics complain that the roles of women in horror movies are often meaningless or exploitive, I take a different approach in my review of the 1976 flick The Premonition over at Everything Is Scary, called “Mother Of Fears.” Diabolique Magazine has an excellent, feminist analysis of Andrzej Żuławski’s Possession in which the filmmaker seems to ask “Do you liberate in order to destroy?”
What if you had a bong that allowed you to travel through time? Sort of like an updated Bill & Ted’s Excellent Adventure but with more incisive sociopolitical commentary (sort of), three-part miniseries Time Traveling Bong is worth watching, according to Sachin Hingoo. For something that poses less of a problem to quantum physics, but is perhaps even more bizarre, you could check out the newest episode of the TV OR GTFO Podcast that tackles Stephen Bochco’s infamous Cop Rock. The latest episode of Outsiders, the approrpriately titled “All Hell,” is a short but fitting first season finale, says Laury.
Is the sequel to The Texas Chain Saw Massacre truly superior to the original? That’s the compelling argument made by Justin LaLiberty at Paracinema. And how do you feel about Jared Leto as Lestat in the proposed remake of Interview with the Vampire or a sequel to The Craft?
Saturday was Free Comic Book Day! Frankenstein fans should check out ExMortis, while those who were disappointed by Hawkeye’s secret life reveal in Age Of Ultron, will enjoy this article from the newest addition to the Popshifter staff, Christine Makepeace, called “The Trouble With Hawkeye.”
Musicially speaking, Melissa Bratcher asks if there’s anything Jimbo Mathus can’t do and then decides there isn’t, in her review of his latest EP, Band Of Storms.
But seriously: let’s talk about the difference between dependence and addiction and what they have to do with chronic pain.
“The Rondo awards, named after Rondo Hatton, an obscure B-movie villain of the 1940s, recognize the best in classic horror research, creativity and film preservation. This year’s e-mail vote, conducted by the Classic Horror Film Board, an 18-year old online community, drew a record of more than 3,400 votes as fans chose among 35 categories.”
Well done, Rue Morgue!
If you’re looking for some new music this week, might we suggest checking out Popshifter’s exclusive stream of Bloody Knives’ I Will Cut Your Heart Out For This, which dropped on April 15? It’s shoegaze, it’s goth, it’s got gorgeous vocals, and it’s loud as hell.
Also on the new music list is a live album from Professor Longhair recorded in 1976, the Nigerian music compilation Wake You Up! Volume 1, and eccentric pop singer Dinner’s Psychic Lovers. Meanwhile, on the Everything Is Scary blog, I discuss how Manchester duo Demdike Stare’s collages of sound and imagery provoke responses akin to nightmares.
Have you ever heard of Clela Rorex? She issued the first gay marriage license in Boulder, CO in 1975, thus helping to chip away at bigotry and homophobia.
Matt Keeley at Unicorn Booty discusses, in detail, how the recent trans episode of Powerpuff Girls is actually transphobic. But on the other hand, there’s also a heartwarming post about how Rihanna helped one of her gay fans come out. With all the news of homophobic celebs, it’s nice to read something positive.
In further TV news, Tyler Hodg has finished Season 10 of Trailer Park Boys on Netflix. Despite being mostly disappointed with this season, he thinks that the finale was excellent and might even make you cry, in addition to paving the way for an even better Season 11.
Laury Scarbro is equally smitten with the most recent episodes of Outsiders and Sachin Hingoo feels much the same about Broad City. Speaking of Broad City, Sachin has a preview of the upcoming mini-series Time Traveling Bong, starring Ilana Glazer and Paul W. Downs. Rue Morgue gives Tom Noonan, who stars in the SyFy TV version of 12 Monkeys, the “Sinister Seven” and Biff Bam Pop recaps the premiere episode of Season 4 of Orphan Black!
In the mood for gaming? Although Tim Ford at Everything As Scary thinks Don’t Starve: Shipwrecked is less scary than its predecessor, he still gives it a fair shake.
There is much to discuss on the movie front. The casting of Scarlett Johansson in the upcoming film adaptation of Japanese Manga Ghost in the Shell has many crying “whitewashing” (and for good reason). Jeffery X Martin looks at the Death Walks Twice Giallo box set from Arrow, I am gravely disappointed in new horror flick 13 Cameras, and Women and Hollywood has a list of women-centric films playing near you this week.
Finally, if you haven’t heard of Doreen Valiente, that should change. This VICE article points out that this mother of modern witchcraft was also a pro-choice spy.
The movie, The Witch, has brought the concept of witches back to the forefront of American culture. The film tells the story of a New England family in the 1700s, fighting against nature, boredom, and black magic. It’s based on old folk tales from the time, which are a decent reflection of history. The family in the movie chose to go outside the village gates and live on their own, unprotected by numbers or any kind of militia. It’s no wonder they get into trouble.
A very real trouble descended upon New England on this date in pop culture history. Sarah Good, Sarah Osborne, and Tituba may sound like the headliners for the new and improved Lilith Fair, but they were center stage for a quite different kind of show. Today, in 1692, the Salem Witch Trials began.
There’s always a reason to talk about David Bowie, as far as I’m concerned, but not always within the context of this column. So, when the opportunity arises to write about the man, and remember him within historical parameters and important dates, I’m going to do that. Get used to it.
Get used to it.
When I went to sleep, David Bowie was alive. When I awoke, he was not. Strange, the way things slip.
Knock on the walls. Flick your coffee cup with your fingernail. Stomp on the floor. Do you hear it? Something’s missing. There is a hollowness to the world now, with Bowie gone.
By Lisa Anderson
Even casual fans of Joss Whedon know that strong female characters are important to him. Buffy the Vampire Slayer, Echo from Dollhouse, and Zoe from Firefly are only a few examples. What casual fans may not realize is that women behind the scenes—Whedon’s fellow writers and producers—have also helped make his storylines beloved to so many fans. They include Jane Espenson, Marti Noxon, Maurissa Tancheroen, and Felicia Day.
By Jessica Melusine
Being a student of religious practice, magick, and mysticism as well as an avid pop culture devotee means that certain things look very different in my eyes. Ever since a turn-of-this-century Vericon in Cambridge, MA, I have been fascinated with fanvids.