Batman: Arkham City—The Album

By Paul Casey

Arkham City is the sequel to 2009′s Arkham Asylum, the very surprising critical and commercial success from Rocksteady Studios. This soundtrack of “interpretations of the stories surrounding Batman” features a set of Indie Rock Heads doing songs that are in no real sense representative of 1) why Arkham City has a shot at game of the year or 2) why Batman is such an enduring character. As a collection of low-grade Indie Rock, it is mostly intolerable.
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No Gods Or Kings. Only Man: Bioshock

By Paul Casey

“I am Andrew Ryan, and I am here to ask you a question: Is a man not entitled to the sweat on his brow? No, says the man in Washington, it belongs to the poor. No, says the man in Vatican, it belongs to God. No, says the man in Moscow, it belongs to everyone.

I rejected those answers, instead, I chose something different. I chose the impossible. I chose Rapture. The city where the artist would not fear the censor, where the scientist would not be bound by petty morality, where the great would not be restrained by the small. And with the sweat on your brow, Rapture can become your city as well.”

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True Blood: Music From The HBO Original Series, Volume 3

By Melissa B.

There are some songs so perfect for TV shows, that when I hear them, I wonder why on earth the producers haven’t picked them to be on the soundtrack. The producers of True Blood have so far not needed my help and have done an amazing job of choosing evocative and intriguing music that enhances the show. The songs on Volume 3, the latest soundtrack release, are in so many cases the perfect True Blood songs.
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He Is the Night, He Is Vengeance, He Is Batman: The Animated Series

By Paul Casey

Batman: The Animated Series was the cause of my love of Batman, superheroes, and later, comic books. I had seen Tim Burton’s wonderful 1989 adaptation early on and went to the cinema to see the underrated and childishly maligned (though rather too scary for my youth) sequel, Batman Returns. I was also aware of the 1960s Adam West TV show.

Even though I enjoyed these, it was the Noir shadows of The Animated Series which got to me. The vision of Bruce Timm, Eric Radomski, Alan Burnett, and Paul Dini would stay with me. The opening is perhaps the most evocative and perfect definition of who Batman is as a character. Danny Elfman’s score is Batman.
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Crypts And Blood: A Creepy Crawl Through The History Of Horror Hosts

By Cait Brennan

“There’s nothing on,” you say. A strangely common complaint in an era with hundreds, if not thousands, of 24-hour-a-day channels. Once upon a time, there was literally nothing on, because the two or three local stations your town was lucky to have would shut their transmitters off at 11 p.m. Stations invented every possible kind of stunt (up to and including running the weatherman’s home movies) to fill airtime, but eventually the exhausted staff would finish the late local news, have a priest give a drunken invocation, run the national anthem, and pull the damn plug.

But as the signals died, there through the flickering static, in the dark dead of night, one station would keep its dim light on, transmitting faded images of 1930s ghouls into your darkened living room. Then, out of the black, when it all started getting just a little too real, some character covered in blood cut their way into the movie and cracked wise. You’ve just met your horror host, and whether your movie was terrifying or just terrifyingly awful, spooky late nights never had a better friend.
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Greetings Traveller: Tales From Garth Marenghi’s Darkplace

By Paul Casey

Greetings traveller. Garth Marenghi’s Darkplace was a Sci Fi/Horror spoof aired on Channel 4 in Britain in 2004. Created by Matthew Holness and Richard Ayoade—who you may be familiar with as Moss from Graham Linehan’s The IT Crowd—Garth Marenghi did not receive the mainstream love of The Mighty Boosh or Peep Show, and yet of all of the sublime, interconnected comedy to come from Britain in the last decade, it may be the greatest.
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Jesus Take The (Lunar) Wheel: Apollo 18

By Emily Carney

On July 20, 1969, Apollo 11′s lunar module Eagle landed on Earth’s Moon, beginning three years of unsurpassed, spectacular lunar voyages.

On December 14, 1972, Apollo 17′s lunar module Challenger departed the Moon’s surface, leaving a massive void in manned lunar exploration which continues to exist until the present time.

In the beginning of the 1960s, President John F. Kennedy sent out a resounding, powerful call to have a man walk on the Moon by the end of that decade, and NASA was wholly successful in their goal to meet such a momentous deadline.

It took Hollywood well over 50 years from that point to make Apollo 18. To paraphrase JFK, at the beginning of this decade, we made the worst space horror film, ever.
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Theatre Of Blood: The Stage Is Set . . . For Murder!

By Aila Slisco

There is a space between comedy and horror which some people call black humor. If a movie can inhabit that space, it will likely be a favorite of mine. While this has certainly been used in movies up to the present day, the golden age of this kind of horror comedy film arguably happened in the UK several decades ago. Theatre of Blood is not only a great example of the horror comedy, but my favorite film of the subgenre.
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Halloween Nation: Behind The Scenes Of America’s Fright Night, By Lesley Bannatyne