You’ve seen it before and there’s no sense in denying it. Some things just shouldn’t be paired up. Maybe there’s a couple whose relationship dynamic seems odd and impenetrable. Perhaps someone likes to do strange things with their food. I, for example, put peanut butter on hot dogs. My wife is displeased with this choice.
These examples of poor matching can be applied to the horror film, Inner Demons, a found-footage film which shouldn’t be a found-footage film.
Major American studios have proven they have no desire to make decent horror movies anymore. It’s all superheroes around here, buddy, and if you haven’t jumped on that bandwagon, then it’s Pixels for you.
By Tim Murr
TwoMorrows Publishing is awesome. These dedicated fans began publishing magazines about comics in the mid-’90s, such as the authoritative series Jack Kirby Collector as well as Comic Book Artist and Alter Ego. They have also published books and DVDs, further preserving the far reaches of comics’ history.
Kickstarter has become the great bazaar for creators, all of them camped out under their virtual canopies, hands open, hoping visitors will stop and just look at their wares. Yet like any bazaar, the buyer should beware. It can be a strange and dangerous marketplace, and one doesn’t want to toss their money about blithely. If you can find an amazing concept, with some great people behind the scenes, odds are you’ve made a fine Kickstarter decision.
Please allow me to make a strong suggestion.
If we Americans have learned anything over the last 20 years, it’s that Australia is hell on earth. Spiders bigger than your face, jellyfish that can kill you from ten miles away, sharks, Yahoo Serious. . . it’s the kind of place we should really nuke from orbit. It’s the only way to be sure.
At its dark little heart, the 1978 Australian film Long Weekend is about hell, and the different ways that concept can manifest itself into reality.
I detest romantic comedies. They are often decidedly unromantic and terribly unfunny. Throw drama into the mix and it’s even worse: concocted conflicts and clichéd characters. Horror comedies are a more palatable but often hit or miss. Combining all four genres seems like a bad idea. Somehow Spring manages to do that and still be terrific. It’s the best romantic comedy/drama horror movie you’ve seen yet.
By Tim Murr
Throughout its first season, The CW’s iZombie has managed to be more entertaining than the last three seasons of The Walking Dead, which devolved from a must-see gory character drama to boring misery porn that suffers from hideous pacing. (And yes, I haven’t missed an episode and yes, some episodes were very good.)
By Tim Murr
I’d guess I have about ten films that are deeply important to me on an emotional level. They’re not necessarily all deep movies, but they are all films that represent very specific times and very specific situations, both good and bad. They are films that I can watch over and over and be transported back to a time and place and vividly relive a certain state of mind and/or heart.
Jaws is one if those films. I was four when I saw Jaws and Jaws 2 on cable. I watched it multiple times before I turned five, which is when my parents divorced. So for me, watching Jaws always takes me back to a time when the world didn’t feel like it was ending everyday. (A feeling that never went away, but evolved from fear to anger to bitterness.)
Brian O’Malley’s feature debut Let Us Prey reveals its darkness slowly and deliciously at first, evoking a sense of dread and mystery that keeps you watching. It also provokes a lot of questions. Who is this mysterious stranger who looks a lot like Liam Cunningham? Why has Police Constable Rachel Heggie been reassigned? Why is everyone at the police station so angry?
Oh how we all get richer / Playing the rolling game
Only the poor get poorer / We feed off them all the same
—Society‘s version of the Eton Boating Song
How do you explain a movie like Brian Yuzna’s Society? It truly is one of those things you must experience for yourself. The 1989 film is an important chapter in the body horror/ero goru subgenre, but it’s also just plain weird.