Another week, another beloved and peerless musician has left us. In case you’ve been on some sort of Luddite retreat, you’ve heard the news that Prince has passed away at age 57. There are far too many good articles contemplating his death online to list them all here, but you might enjoy this one, in which I ponder what it means to lose our heroes, “The Beautiful Ones U Always Seem 2 Lose.”
Here are two vastly different new releases you might want to check out: Cherry Red Records has released Tiny Tim: The Complete Singles Collection (1966-1970) about which Hanna writes the following:
Hearing a grown man do a believable Shirley Temple imitation is always a beautiful experience, and “Mickey the Monkey,” a song from the perspective of a monkey in a zoo providing his story to the child listener, seems almost a comment on Tiny Tim’s own position as a novelty performer: “While you’re watching me, I am watching you, too / You’re as funny to me as I am to you.”
On a totally different segment of the musical spectrum is Trágame Tierra, the long-awaited follow up to Big Black Delta’s self-titled debut. Why this record isn’t blowing up I cannot imagine. I’ve seen only two other reviews for it, and one of them is the most ghastly and insulting thing imaginable, on a website whose name rhymes with “Consequence of Sound.” Ignore that crap, and just read about how great this album is.
Unicorn Booty’s got some music news for you on this week’s NOW HEAR THIS, including the Afropunk festival lineup and more.
Game of Thrones fans are gearing up for the new season which starts tomorrow and at Everything Is Scary, Tim Ford discusses the most frightening characters on the show. None of them is Cersei Lannister. If vintage sitcoms are more your speed, you can check out the first two episodes of the TV or GTFO podcast, in which our own Sachin Hingoo teams up with Gary Heather to talk about Perfect Strangers and Hulk Hogan’s Thunder in Paradise.
Movies? You want movies? We got ‘em. Well, we have reviews, at least. Dump those copies of Bride of Re-Animator in the trash, but not before picking up Arrow Video’s glorious new reissue, which Tim Ford assures us is the definitive edition. Sachin reviews a couple of Hot Docs movies, the new ten-part film essay from Werner Herzog, Lo and Behold: Reveries of the Connected World and the more-horrifying-than-an-actual-horror film Tickled. Women In Hollywood has their always-welcome list of women-centric, directed, and written films for the week, including the fantastic High-Rise, which I’ll be reviewing next week.
Unicorn Booty is the best site you’re not reading, unless of course, you are already reading it, in which case, yay! The excellent “A Trans Person Explains What’s Really Behind Transphobic Bathroom Bills” does exactly what the title suggests, but there is oh so much more good stuff in there. There’s also a rundown of why Harriet Tubman should be on the US $20 bill as well as some huge developments in world LGBT politics.
Oh, and if you’re having trouble sleeping at night, by all means, do not read this creepy assessment of H.P. Lovecraft’s uber-creepy short story “The Festival” by Peter Counter on Everything Is Scary.
I think most of us are familiar with the “Wikipedia hole,” where you’ll go to the site to look something up and find yourself entangled in a long series of links to related-but-unrelated entries, only to forget what you came for in the first place. A rabbit hole like this is the only way I can describe Tickled, because it’s a documentary that begins with the most benign and banal of subjects and ends up as a three-continent-spanning pursuit of, well, I’m still not sure. The characters along the way have a Lynchian surrealness to them, never as repulsive and pitiable on the surface as they are under the skin, which is really saying something because some of them are pretty gross externally, too.
In Lo and Behold: Reveries of the Connected World, a ten-part essay film that’s as far-reaching and excessive as its title, Werner Herzog explains the Internet as though you’ve never heard of it. If I didn’t know any better, I could actually believe that Herzog never has. He approaches this sprawling, impossible-seeming project with the often childlike point of view of a complete outsider and, one might say, Luddite. This usually manifests itself in a funny way but it also allows Herzog an entry point that’s not bogged down with jargon and which never seems patronizing. In fact, it easily and readily walks the line between wonderment and revulsion.
You can’t kill us; we’re already undead.
At Popshifter, sometimes shit happens. And when it does, we soldier on.
We’re sad to lose one of our favorite writers, Laury Scarbro, this week. She’s just got too much going on in her non-Internet life and must take a hiatus.
We’re also sad to see another one of our fave writers take a hiatus: Jeffery X Martin has a new writing job (Yay! Congratulations!) that’s taking up most of his time these days and so he won’t be around as much as he used to.
These two departures mean that some of our content will be disappearing: the daily Today In Pop Culture column and our weekly recaps of Outsiders. I thought it best to let you know what was going on in case you wondered why they suddenly disappeared.
That said, if anyone would like to pick up the mantle of Today In Pop Culture or finish the rest of the season of Outsiders (four more episodes), I would gladly welcome your contributions.
And now, to the news!
Brad Henderson went to SXSW and all he got was a case of food poisoning. OK, he also saw some good movies, too, one of them being the Hicksploitation throwback My Father, Die. Not so good was recent home video release Intruders, which was a missed opportunity that I wish I had missed. You can always go back to 1977 and watch Count Dracula, the BBC production of Bram Stoker’s Dracula starring Louis Jourdan, though, which I revisted in this month’s Frightful Flashback on Rue Morgue. You can also read my examination of the nature of evil as told through three different interpretations of witches on Everything Is Scary, those being Penny Dreadful, The Witch, and The Devils. By the way, happy one-year anniversary to Everything Is Scary where we do the responsible thing and contemplate the void every week.
The small screen is exploding these days! Besides new episodes of The Walking Dead, Broad City, and WGN’s Outsiders, Netflix has just premiered the second season of Daredevil, which Tim gives high marks, and Trailer Park Boys’ tenth season, which Tyler will be covering over the next week or so.
Whenever someone complains that there isn’t any good music these days, you just send them over to Popshifter, OK?
Besides the latest (and hopefully not the last) Iggy Pop album Post Pop Depression (which is awesome); there’s also Robbie Fulks’s Upland Stories, which Melissa describes as “exquisite;” West Of Here, the sophomore release from The Currys; and a trio of excellent—and very different—albums from women-fronted bands: Davina and the Vagabonds, Margo Price, and Bleached.
HHBTM has been putting out some quality music lately, including the punky Versus album from Eureka California and the retro yet timeless Crystal Café from Witching Waves. But if you enjoy “kick-ass, groove-heavy, instrumental synth-rock unit inspired by 1970s and ’80s horror movie soundtracks,” you might enjoy Wolfmen of Mars’ latest, DANGER! PERIL! THREAT!
Tim takes a look back at Sepultura’s Roots album, while I take a look forward at a couple of new videos: “Phantom Freighter” from the sci-fi, industrial-influenced Pop. 1280 and “Hey Girl (I Wanna Be Your Man)” from shoegazers Dirty Sidewalks.
Finally, Brian Baker chatted with actress Karen Allen at the recent Toronto ComiCon and she had some things to say about that upcoming Indiana Jones movie.
Until next week, Popshifter fans!
Backwoods movies, or “Hicksploitation” films, are some of the meanest and dirtiest to exist in the cinema world. Titles like Poor Pretty Eddie, Gator Bait, and Psycho From Texas are cruel and just fucked up in general, making you want to take a bath right after you watch them. These films are way more shocking than extreme torture or gore baths.
My Father, Die is one of these types of films. It’s not often we get a modern Hicksploitation flick that looks beautiful but is so filthy at the same time. Usually these films are gritty and raw-looking which involves you more in the atmosphere surrounding the movie.
Beware The Slenderman is one of the most intense, chilling, and scary documentaries ever to exist.
If anyone has surfed any Internet forums, then they most likely they know about Slenderman. What started as a Photoshopped picture on SomethingAwful spawned a urban legend that has made its way into stories, video games, and even movies. Slenderman has only existed for a little over a decade, but it didn’t really get popular until videos started appearing on the Internet.
Let Haircut 100 make you happy.
Our tireless SXSW Film Festival correspondent Brad Henderson has returned to bring you reviews of all the genre films playing at this year’s SXSW. First up, is The Greasy Strangler, which is as gross and weird as its title suggests. Look for more SXSW movie reviews next week on Popshifter!
Everyone has been talking about 10 Cloverfield Lane and Jeffery braved the multiplex to bring you this non-spoilery yet mega-praiseworthy review.
Stepping outside of the horror genre for a moment, Jeffery also checked out the unexpected delights of the new Pee-wee Herman movie called Pee-wee’s Big Holiday. Joe Manganiello obviously needs to take on more comedy roles.
Another premiere on Netflix this week is the much-anticipated second season of Marvel’s Daredevil. I’ve got the scoop on the first seven episodes of the season over at Biff Bam Pop.
In some exciting and unexpected TV casting news, Andy Burns at Rue Morgue reports that Canadian punk rock and acting legend Hugh Dillon is going to be on the new season of Twin Peaks next year. Yet another reason to tune in, as if you needed any.
Sachin has two Lucha Underground recaps this week because last week’s episode, “Death Comes In Threes,” threw him for a loop, and not necessarily in an enjoyable way. The good news is that the show has recovered quickly with the excellent “Life After Death.”
Another show that had a stellar episode was Outsiders, which as Laury reports, finally got some serious character development and plot momentum with “Weapons.” And on The Walking Dead, we’re still in “The Same Boat” in terms of zombies, people dying, and not actually seeing Negan’s face.
So much music this week! Melissa has reviews of three of this week’s best releases: a spectacular album from Grant-Lee Phillips, the crazy Americana compilation Wayfaring Strangers: Cosmic American Music from Numero Group, and a brilliant reissue of the already-brilliant and woefully underappreciated Pelican West by Haircut 100. And from S. Elizabeth at Dirge Magazine, a gorgeous analysis of the equally-gorgeous Full Circle from HÆLOS.
More music news comes from Unicorn Booty’s NOW HEAR THIS! where you can find out about Michelle Obama’s new single (WHA?!), The Pet Shop Boys, and Malcolm McLaren’s annoying son.
Look for reviews of new releases from Dirty Sidewalks, Iggy Pop, and Lust For Youth soon on Popshifter.
In gaming news, you might be interested in this report about how one of the reps for Oculus Rift is a straight(-up) douchebag.
Fannibals got a hint of this in Hannibal’s second season (Achilles + Patrocles 4 LYFE), here’s more evidence that Greek mythology is way gayer than you thought.
What happened this week on Today In Pop Culture? Speaking of Greek mythology, we discuss Caligula, in addition to the Ides of March, St. Patrick, Wings, and Perry Como.
If Tim and Eric made an R-rated Napoleon Dynamite-esque movie, that’s exactly what The Greasy Strangler would be.
Sometimes it feels that The Greasy Strangler isn’t even a movie, but an overall test of what one person can endure. It also feels like this would be a good social experiment to show your friends and see if they remain friends with you afterwards. That said, The Greasy Strangler is hilarious, sleazy, slimy, and just a fucking weird comedy that actually exists in this world and it’s perfect.
At 2008’s After Dark Film Festival, I was part of an audience that went completely wild for a trailer for a nonexistent full-length feature from the demented minds of Adam Brooks, Steven Kostanski, Jeremy Gillespie, Matthew Brooks, and Conor Sweeney–collectively known as Astron-6. That film was called Lazer Ghosts 2: Return To Laser Cove and ever since then, asking people at these events about their favorite Astron movie is a bit like a secret handshake. If you already have a favorite, and especially if you share mine (it’s 2014’s The Editor), we’re probably going to be friends whether you like it or not.
I was a big fan of Der Nachtmahr, which screened at this year’s TIFF. German director AKIZ has said that the film is “New German Fantastic Cinema” with roots in the Expressionist films of the 1920s. Here are a few more freaky German films from the country’s rich cinematic tradition.