Since childhood, I’ve wanted to make movies. Last night I got to watch a documentary about a group of kids who were determined to make a shot for shot remake of Raiders Of The Lost Ark. Raiders! tells the story of this incredible attempt and the resulting admirable success.
If you’re an actual human being with dignity, you already know racism is a terrible thing. Well, if you’re racist against racists then I guess that’s OK. . . or stupid people. Hell, I’m a racist then.
We all know it exists but I think the world is unfamiliar with how bad it is sometimes. The news doesn’t broadcast a lot of these kinds of things. One person I think people are definitely unfamiliar with is Bill Cobb. I’d heard of Cobb before seeing Welcome To Leith, but this film showed me who Cobb really is. A lot of words come to mind trying to describe Cobb, but to put it simply: he’s a fucking racist. A big one.
One & Two is the best superhero origin movie ever despite the fact that it’s not based on any existing superheroes and is a completely original story. It’s rad as hell.
The story revolves around a brother and sister—Eva (Mad Men‘s Kiernan Shipka) and Zac (Timothée Chalamet)—who share something special: They are able to do something that no one else can. Their mother has severe seizures and the clock is ticking down to her last remaining days. Their father is an emotional trainwreck from trying to cope with his wife and what he knows his children can do. Eva and Zac spend their nights playing around with their capabilities, but their father forbids it and asks them numerous times to stop. One night something life changing happens to their family and the father kicks Eva out of their home. From then on, it’s up to Eva to make the biggest decision of her life.
I’m a huge fan of found footage. I stand behind this method of filmmaking 100 percent. There is a certain aspect that makes it feel like it’s more of a reality than your normal film. Even if a found footage film has ghosts or goblins in it, it can still hold that realism for me. I know it’s not for everyone but I think that’s because we are given a lot of garbage found footage films in addition to all the good ones.
Please Note: This review was written after seeing an unfinished version of the film during SXSW on March 13, 2015.
It seems that computer screen horror is catching on rather quickly and I’m not sure how I feel about it. In the past couple years we’ve had The Den and Open Windows; in both films the actions is presented through a computer screen. The Den worked to an extent and was creative for the most part, but Open Windows didn’t work out because it was so silly. . . well, to me anyway.
Unfriended has the same presentation but it works. Like Open Windows, it runs in real time and that’s one of the main things that works. Our story is told through a Skype chat between five friends who hold a secret. During one of their chats they are introduced to another visitor. They are unsure who this person is and try to get rid of this unknown entity, but remain unsuccessful despite multiple attempts. Soon they realize this person may be someone that they know from their past who is dead set on terrorizing them.
It seems that more and more independent filmmakers are grasping the concept that if you have a great script, good chemistry between actors, minimal locations, and a somewhat intriguing story you can still make a really great film without anything revolutionary. Night Owls is a prime example of a film that does so much with so very little by grabbing and holding the audience’s attention. It uses a basic idea but with such great execution
Does every horror film need some originality in order for it to be good? I think half of people surveyed would say yes and the other half would say no. Personally, I’m a “no” because I feel if the film has the right elements, it can be just as good as something completely original. Do we constantly have to be surprised or shown something new each and every time we see a new film? I think as long as the film has a good script, solid acting, good characters/actors, and a decent soundtrack it will be successful to me. This is how I feel about Pod.
The Frontier feels like David Lynch directed a made-for-TV ‘90s Noir western stage play with great actors. I’m unsure what to think of it because part of me really dug its Twin Peaks-esque feel and part of me was turned off by this style. At first The Frontier is beautifully crafted, but after some establishing shots, it quickly descends into this stage play gaze, almost like something from The Young & The Restless. The film seems connected to the rest of the world in the beginning but eventually it feels like no outside world exists. I found this confusing because I wasn’t expecting it all.
A couple of years ago while perusing YouTube, I came across an amatuer video of three young black kids playing metal music near a subway station in New York City. Months after that I saw a couple more videos pop up here and there and then they showed up on national TV with even more exposure. They are called Unlocking The Truth and they are fucking amazing.
The idea that Roar was even made blows my mind because of the fact that there was a surplus of dangerous animals among the cast and crew while it was being filmed.