Posted in Feminism, Music, Retrovirus, Reviews |
By Noreen Sobczyk
Did you ever notice that Johnette Napolitano rarely, if ever, gets mentioned in those Top Women of Rock lists? Even if Concrete Blonde never had a good song on any album besides Bloodletting (which, rest assured they did), this album alone is enough to put her in the Top 20. Napolitano has the swagger, songwriting talent, and the vocal ability to assure her space as, perhaps not the Queen of Rock, but as a high-ranking member of the royal court.
On Bloodletting, Napolitano shows her vulnerability, desires, and strengths in spades on classic songs like the dysfunctional love song “Joey” (the band’s biggest commercial success); “Tomorrow Wendy” (a cover of the heartbreaking Andy Prieboy song about a friend dying from AIDS); and “Bloodletting (The Vampire Song);” one of the best vampire songs ever written, arguably second only to Bauhaus’ “Bela Lugosi’s Dead.”
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