The cruelly and ironically titled Nothing Bad Can Happen is nothing less than a hard kick to the stomach. Katrin Gebbe’s debut isn’t a horror film, yet it still horrifies. Nothing Bad Can Happen stuns and unsettles the viewer like the also-incendiary debuts of Maury and Bustillo (À l’intérieur) or Du Welz (Calvaire), yet without the gore of the former and the surrealism of the latter.
A couple of years ago my friend Jay handed me a disc with one word on it: Found. He said he saw it at a horror convention and it was something I would love. I watched Found that night and he was right.
It’s best not to know a whole lot about the plot going into Jim Mickle’s latest film Cold In July. If you haven’t read the Joe R. Lansdale novel upon which the movie is based (like me), try not to form any preconceived notions from the tag line or cover art and just go with it. If you’re about ten minutes in and thinking, “Damn, this is just a whole bunch of stalker-revenge movie clichés that aren’t really doing it for me,” keep watching. There’s no M. Night Shyamalan-style twist, just a lot of well-crafted narrative turns that will keep your attention even after the movie ends. It’s that good, and easily the best of Mickle’s last three films.
When I received Vinegar Syndrome’s recent release of Prisoner Of Paradise I asked myself, “Do I bring The Boozer Reviewer back?” Then I saw it was a big budget X-rated war epic, falling under the Nazisploitation subgenre. . . and it starred John Holmes. I knew then I needed to watch this without any alcohol.
Man, I wish I was intoxicated when I watched this.
StageFright was a classic when I originally saw it back in the ‘90s. At that time I knew it as Bloody Bird, but a little while later I acquired a VHS copy with the title StageFright: Aquarius. I imagine this was confusing for some in the days before the Internet. I think the distributors knew this so they made StageFright one word. Honestly, it doesn’t matter but I find it funny. It’s even funnier since Jerome Sable’s Stage Fright was released earlier this year.
David Jung is a first time director/writer who has brought his first feature to the table with The Possession Of Michael King. Jung did a hell of a job with his first film and I’m excited to see what he does next, but sadly, I wasn’t the biggest fan of this flick.
There are quite a few films that don’t get much attention these days. Between big-budget blockbusters and higher budget indies, these B-movies just get shoved to the side. There are a few companies sweeping these films up and giving them the time of day and Wild Eye Releasing is one of them.
Back in the day Troma purchased a lot of films from different companies who were going out of business to build up their catalogue. Yes, Troma’s name is all over the old DVD and their logo is on the back on this Blu-Ray but Troma didn’t have anything to do with the making of the film. I only say this because the streak that Troma has isn’t a very good one. Luckily. we have Vinegar Syndrome who is going through Troma’s catalogue and pulling the good flicks out of the depths of their toilet and giving them a proper release.
Sometimes I will look at a film differently depending on how it is made, obstacles that were overcome during production, or something as seemingly insignificant as maybe a story behind it. I wouldn’t say Locke falls under any of the categories but it is a film that stands out from the rest.