By Tyler Hodg
Music is constantly evolving and yet at certain moments, it stands completely still. With their latest full-length album Wrought, Washington punk-rock band Broken Water continues to display their musical influences in their own music, creating a nostalgic-sounding record that will remind many listeners of their angst-filled teenage years. Wrought is totally grunge-tastic and is a blatant throwback to a sound that seems to have gotten lost in recent time.
By Tyler Hodg
The amount of talented musicians that Nashville, Tennessee produces is insurmountable; it’s always been that way and the city shows no signs of slowing down. Humming House, yet another act to come from the legendary area, is further proof that Nashville still has that touch. In a time when mainstream country music seems to be at its lowest creative level, Humming House shines bright with their latest release Revelries, a joyous album that serves as significant hope for the stifled genre.
Vetiver’s Complete Strangers is like a time machine. The tracks range from lo-fi synth escapades to AM radio gold with a dose of late ‘80s/early ‘90s indie rock. It feels completely familiar and quite unusual at the same time, taking classic song structures and putting them in a blender to make something wholly new.
Eighty-two-year-old bluesman Leo “Bud” Welch has recently recorded an album for Fat Possum/Big Legal Mess Records, home of R.L. Burnside and Mississippi Fred McDowell, as well as current favorites Jimbo Mathus and Jim Mize. While being a blues record through and through, I Don’t Prefer No Blues sounds so current and fresh that Jack White is probably gnashing his teeth in envy. I Don’t Prefer No Blues has an incredibly live feeling that features Welch’s well-weathered vocals and his flat-out amazing guitar playing. It’s a stunner of an album, and it’s only his second record (the previous was the all-gospel record Sabougla Voices).
Blancmange’s fifth album, Semi Detached, is the first one recorded without core member Stephen Luscombe. Remaining founder Neil Arthur has taken the opportunity to revitalize the Blancmange brand name by taking the music on a gleeful trip to hell. It’s also one of the purest synth-pop albums in years, with electric guitar mainly layered in for texture.
Since childhood, I’ve wanted to make movies. Last night I got to watch a documentary about a group of kids who were determined to make a shot for shot remake of Raiders Of The Lost Ark. Raiders! tells the story of this incredible attempt and the resulting admirable success.
If you’re an actual human being with dignity, you already know racism is a terrible thing. Well, if you’re racist against racists then I guess that’s OK. . . or stupid people. Hell, I’m a racist then.
We all know it exists but I think the world is unfamiliar with how bad it is sometimes. The news doesn’t broadcast a lot of these kinds of things. One person I think people are definitely unfamiliar with is Bill Cobb. I’d heard of Cobb before seeing Welcome To Leith, but this film showed me who Cobb really is. A lot of words come to mind trying to describe Cobb, but to put it simply: he’s a fucking racist. A big one.
One & Two is the best superhero origin movie ever despite the fact that it’s not based on any existing superheroes and is a completely original story. It’s rad as hell.
The story revolves around a brother and sister—Eva (Mad Men‘s Kiernan Shipka) and Zac (Timothée Chalamet)—who share something special: They are able to do something that no one else can. Their mother has severe seizures and the clock is ticking down to her last remaining days. Their father is an emotional trainwreck from trying to cope with his wife and what he knows his children can do. Eva and Zac spend their nights playing around with their capabilities, but their father forbids it and asks them numerous times to stop. One night something life changing happens to their family and the father kicks Eva out of their home. From then on, it’s up to Eva to make the biggest decision of her life.
I’m a huge fan of found footage. I stand behind this method of filmmaking 100 percent. There is a certain aspect that makes it feel like it’s more of a reality than your normal film. Even if a found footage film has ghosts or goblins in it, it can still hold that realism for me. I know it’s not for everyone but I think that’s because we are given a lot of garbage found footage films in addition to all the good ones.
Please Note: This review was written after seeing an unfinished version of the film during SXSW on March 13, 2015.
It seems that computer screen horror is catching on rather quickly and I’m not sure how I feel about it. In the past couple years we’ve had The Den and Open Windows; in both films the actions is presented through a computer screen. The Den worked to an extent and was creative for the most part, but Open Windows didn’t work out because it was so silly. . . well, to me anyway.
Unfriended has the same presentation but it works. Like Open Windows, it runs in real time and that’s one of the main things that works. Our story is told through a Skype chat between five friends who hold a secret. During one of their chats they are introduced to another visitor. They are unsure who this person is and try to get rid of this unknown entity, but remain unsuccessful despite multiple attempts. Soon they realize this person may be someone that they know from their past who is dead set on terrorizing them.