New this week on Popshifter: Emily reviews Dark, the latest from the British Electric Foundation; Chelsea appreciates the “exuberant energy” of CSS’s Planta; Melissa thinks Gap Band VII has “moments of brilliance” and enjoys the “invariably perfect” Volume 4 of Music from True Blood; Jeff introduces us to his next Waxing Nostalgic series on cover albums; and I review the new film Peaches Does Herself from the inimitable Peaches and the “remarkably original” John Dies At The End, now on DVD.
Logan, we miss you.
New this week on Popshifter: Melissa calls Luke-Winslow King “one to watch” in her review of his “excellent” The Coming Tide; Jeff wonders how the labouring man can find time for self-culture in a new installment of “Waxing Nostalgic”; I discuss the new Justin Benson and Aaron Moorhead short film Wrecked, praise the “spirited” Chapin Sisters album A Date With The Everly Brothers, and call Life of Pi a “certified cinematic breakthrough.”
Under The Bed
New this week on Popshifter: LabSplice says Brad Anderson’s new movie The Call is “guided by a very sure hand”; Emily thinks Shooter Jennings is worthy of his dad’s crown on The Other Life; Paul recommends Old Man Markley’s Down Side Up; I unabashedly gush about Suede’s Bloodsports, categorize the movie Deadfall as a “gritty, rewarding genre exercise,” admire the fashion sensibilities of Redd Kross in their new video for “Uglier,” and review four films from Canadian Music Week Film Fest 13: Ain’t In It For My Health, The History of Future Folk, The Last Pogo Jumps Again, and Apocalypse: A Bill Callahan Tour Film.
Please note: there will be no Assemblogs for the next three weeks. I’ll just be providing round ups of that week’s articles. The Assemblog will be back in full effect on April 19.
I’m sad to report that our ongoing column “TV Is Dead, Long Live TV” is on hiatus. If you’re interested in picking up the coverage of the transformation of television from linear to its currently shifting model, please drop me a line at email@example.com.
Inside Llewyn Davis
New this week on Popshifter: Paul takes Men’s Rights Advocates to task in his article on Women in Gaming and tells tales of pro wrestling redemptions; Chelsea loves Lady Lamb the Beekeeper’s first full-length album RiPLEY PINE; I fawn over new releases from Parenthetical Girls, Dawn McCarthy & Bonnie “Prince” Billy, and Iceage, share the latest from Big Black Delta, and review French Horn Rebellion’s newest EP Love Is Dangerous; and Hanna admires both the humor and scientific methods found in The Marriage of True Minds from Matmos.
New this week on Popshifter: I give thanks and praise to “Echoes From The Sleep Room,” the last lecture in The Black Museum’s series and explain how shaking off the movie Excision is a lot harder than I thought it would be.
New this week on Popshifter: I give a wrap up of Toronto After Dark; Chelsea reviews The Red Machine, reminisces about ’90s Boston band Tribe, and raves about Sophie Auster’s debut EP The Red Weather; Danny wonders if Creedence Clearwater Revival’s new Ultimate box set will prove they’re the American Beatles; and Julie praises Firewater’s International Orange! as well as their recent concert in Cleveland.
New this week on Popshifter: an attempt to answer the question regarding sex, violence, and horror in movies: Are we short-charging the teens?; reviews of new releases by Jesca Hoop, DIIV, Ty Segall Band, and Neneh Cherry & The Thing; in praise of singer/songwriter Gillian Welch; and a look at a 1974 John Lee Hooker concert now on DVD.
New this week on Popshifter: a SpaceX celebration mix; reviews of The dB’s Falling Off The Sky, Jherek Bishoff’s Composed; John Singer Sergeant from John Dufilho; and a new band to watch: Sad Baby Wolf.