Lee Neutron, Daiquiri: Best Of 2010

Albums

2010 was a great year for releases, particularly for the “oldies;” there were strong albums from such long-running acts as Killing Joke, Devo, Helmet, Scorn, Young Gods, and Melvins. I’ve picked my very favourite albums of the year, as well as a standout track from each (these are definitely not in order of best to worst or whatever, like that matters one way or the other).
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Best Of 2010: By Danny R. Phillips

Hope you enjoy . . . following my advice on these picks is optional and I will not be held responsible for the damages.

Albums

The Black Angels, Phosphene Dream (more…)

Bottom Ten: 2010 Deaths

By Matt Keeley

Man, the Grim Reaper sucks. I know, I know, he provides a valuable service and when he gets stuck up a tree, all sorts of bad stuff happens, but sometimes his aim sucks. Like seriously, Mister Rogers? Talk about all-time candidates for immortality. Anyway, here’s a list of the Ten Least-worthy Folks to have kicked the bucket this year.

Leslie Nielsen

Leslie Nielsen was awesome. Sure, he made a lot of crappy movies, but he also made ones so awesome that no one minded! Yeah, Mr. Magoo exists, but so does The Naked Gun. And, really, Spy Hard wasn’t that bad. But the cool thing is that Nielsen was also a renowned dramatic actor and even—in his youth—a heartthrob, which kinda messes with folks of the younger generation, just because we think of Lt. Frank Drebin. But, honestly, Frank Drebin was pretty hot.
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Top Five Nerd References In Hip Hop

By Matt Demers
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San Diego Comic-Con Diary, Day Four

By Christian Lipski

Read:
Day One’s Diary
Day Two’s Diary
Day Three’s Diary

And then there was the last day. We eventually got up and packed our bags for checkout, and made our way to the convention floor for our last visit. Since it’s the last day and exhibitors want to ship as little as possible back home, there are rampant sales and many attendees only buy Sunday tickets.

Mile High Comics put their entire stock on sale for 50% off, for example. Independent publishers were willing to make deals, for the most part.The show closes at 5 p.m. as well, so the action in the convention center was tinged with both sadness and anxiety.
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San Diego Comic-Con Diary, Day Three

By Christian Lipski

Read:
Day One’s Diary
Day Two’s Diary

After going to bed sometime after 1 a.,m. the night before (late dinner), Saturday morning was pretty much a wash. I had a press conference for Futurama at 11:30 a.m., so I took off for the convention center. The room was about two-thirds full, and we all shifted about until the event began.

Matt Groening, David X. Cohen, Billy West, Maurice LeMarche, and Lauren Tom filed in to have their pictures taken before ascending the dais. They apologized for the absence of the voice of Bender, John Dimaggio, but it was explained that “Dimaggio” was Italian for “running late.” He did show up presently, and the conference began.
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San Diego Comic-Con 2010 Diary, Day Two

By Christian Lipski

Read:
Day One’s Diary

By the second day I feel much less pressure; I’ve already made a day’s worth of forays into the wilds, and though I haven’t seen nearly all of what there is, I have a good sense of the floor’s layout and content. I also know that it’s nearly useless to try to get into large sessions, since the amount of time you need to devote to the line-waiting is better spent wandering the floor below.
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San Diego Comic-Con 2010 Diary, Day One

By Christian Lipski

Wednesday night was a long night of travel, so we didn’t get to sleep until 1 a.m. Upon rising at seven, I cursed the medium of the sequential image as we struggled to get ready.

We go to the parking garage at 10:30, and walked the mile to the Convention Center. You know you’re getting close when you see the TRON banner start to appear on lampposts, and even a replica of Flynn’s arcade from the movie. The amount of people in costume increased, and so did the amount of people handing out flyers and laminated cards and magazines. These last items tended to create a kind of carpet on the sidewalks that led to the doors of San Diego Comic-Con.
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Crudbump, NA$TYJAM$

By Adam McIntyre

The latest effort/persona from Drew (of Toothpaste For Dinner, Married To The Sea, and others): Crudbump.

Bathe in its magnificence. . . wait, did you hook up a subwoofer? I told you to hook up your subwoofer. Pretty sure I did tell you. You’re going to need it.
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Afrodisiac, A Graphic Novel By Jim Rugg & Brian Maruca

By Danny R. Phillips

Graphic novels are a guilty pleasure to which I have only recently returned. I have always been an avid reader as well as a lover of art, but when I turned 35, I started to think my comic book years were behind me. Then I re-read Watchmen and V for Vendetta and remembered the comic greatness that I had let gather dust in the back of my memories.

Thanks to my returning jones for the graphic novel, I discovered Afrodisiac, a book based around a Shaft-meets-Superman character straight out of the blaxplotation genre of the 1970s. I mean, this cat would make Dolemite and Superfly look like Wayne Brady. With his stable of white “bitches” working the streets for him, his magic pimp cane, his Cadillac, and his tingling Spider Sense-like street smarts, he is both the protector of his city and its sweet, sweet daddy.
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