By Matt Demers
In the last issue of Popshifter, I had a chance to review London, Ontario rapper Shad’s third album, TSOL. Being a big fan of his, I jumped at the chance to talk to him at St. Catharine’s S.C.E.N.Efest, a primarily indie-and-metal music festival that takes over the town once a year in June. Though the rain loomed over our heads, Shad and I had a great conversation.
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By Jemiah Jefferson
Okay, these guys are total freaks. And I think I love them. Don’t be fooled by the cheerful grins on this trio of damn handsome ginger brothers, nor by their love of really dreadful ’80s sweaters and paint-streak-patterned T-shirts: The Birthday Cakes are ready to rock your face off and make you howl at the moon (or at least roll up a really good werewolf mage).
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By Less Lee Moore
Toronto five-piece Young Doctors In Love has recently released 5 Golden Greats, an EP that is aptly titled and perfectly suited for sunny days and hot weather. These five tunes are catchy without being repetitive, hefty without being heavy, and unique without being precious.
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By Matt Demers
When an acclaimed artist manages to dodge the sophmore album curse, it almost becomes a race to see when he or she is going to screw up. Each successive album becomes a nail-biter, with fans and critics alike hoping that this album won’t be the CODA of the artist’s discography, condemned to ridicule and revulsion.
Listening to rapper Shad’s prior two albums, you’d think karma would be against him. 2005’s When It’s Over and 2008’s The Old Prince are cornerstones in Canadian hip-hop, and represent an intelligent artist whose sound is maturing. This year’s TSOL, released on May 25, looked to be a next step for Shad: he had perked listeners’ ears with The Old Prince’s catchy tunes and deep message, and now had a stage to define himself. This was his chance to emerge from his London, Ontario beginnings and show people what he was made of.
And thank God he didn’t screw up.
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By Less Lee Moore
The title of this film—which documented the 1991 European club festival tour of Sonic Youth, a pre-world-famous Nirvana, and other bands—was intended as an ironic comment on the music industry. Although the film came out in 1992 and it was released on VHS shortly thereafter, it is still not available on DVD. How is this possible?
“It’s not on DVD because the rock & roll industry is full of shit,” quips filmmaker David Markey. “There I said it. Also, I totally blame Lady Gaga and her fans,” he adds sarcastically. In fact, Markey prepared a “deluxe” DVD package in 2004, including bonus live performances by Sonic Youth and Nirvana, audio commentary by Markey and Sonic Youth’s Thurston Moore, and a 2003 panel discussion of the film at the Arclight in Hollywood with Markey, Moore, and others.
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April 17, 2010 marks the third year of Record Store Day (they grow up so fast). According to the event’s website, it was founded as:
“. . . a celebration of the unique culture surrounding over 700 independently owned record stores in the USA, and hundreds of similar stores internationally. . . [t]his the one day that all of the independently owned record stores come together with artists to celebrate the art of music.”
—Record Store Day.com/About Us
The first official Record Store Day was held at Rasputin Music in San Francisco on April 19, 2008, christened by none other than Metallica. It is now celebrated on the third Saturday of every April. This year it will be held on Saturday, April 17.
This year, Sonic Boom in Toronto, ON will be hosting various in-store performances by Sloan, Adam Green, The Meligrove Band, Metz, Buck 65, and Valery Gore, beginning at 3:00 p.m. Admission is free, but they encourage everyone to bring non-perishable food donations for the Daily Bread Food Bank, which is running low on inventory at this time.
Here are some shout-outs to favorite record stores from Popshifter readers and writers. Next time you’re in that town, be sure to check them out!
—Less Lee Moore
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By Danny R. Phillips
In my younger years, Power Pop was a genre that I avoided it like the Black Plague or Herpes. As a long time advocate of the virtues of punk rock I could not allow myself to support music with such an identity crisis. Was it hard rock? Bubblegum? What? With a few exceptions, mainly Cheap Trick, The Cars, and the riff from “Jessie’s Girl,” it was not something I championed or even tolerated.
Then came the 1990s and with it came bands like Weezer and the exceptional songsmith Matthew Sweet, musicians who embraced the principles of power pop and drank fully of its long and storied past. Perhaps years had softened my barriers or I was now old enough to see that punk has its limits. Power Pop was no longer the enemy.
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By Less Lee Moore
With Ben Stevenson & The Wondertones/Hot Panda/Sweet Thing
Lee’s Palace, Toronto ON
March 13, 2010
For a band to reach an exalted position on my list of all time faves they must possess two qualities: wonderful musicianship and witty lyrics. Because they have consistently excelled in both categories, Electric Six have ascended quickly up my own personal charts over the last three years. Put another, less pedantic, way: they crack me up and they fucking rock.
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By Jemiah Jefferson
The newest original-material release from Toronto’s ambassadors of brainy party rock shows the four members of Sloan further exploring their masterful sound with these five tracks, one from each member (with an additional track from the prolific Chris Murphy).
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By J Howell
Find out how to win a copy of Dreamin’ Man Live ‘92 at the end of this article! The contest has now ended.
In short: this record is achingly beautiful. Buy it.
It’s beyond the scope of this review to really go into why Neil Young is, well, Neil Young, and I’m not going to indulge in a long string of superlatives here.
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