Postcards From Divine, by Noah Brodie, Dan Marshall, and Michael O’Quinn

By Eric Weber

In John Waters’ book, Shock Value (1981) he writes:

“The oddest question I ever get from college students is ‘Do you have parents?’ The first time I heard this, I was shocked. Did they think somebody found me under a rock and dragged me home? What person in his right mind would clone me, I wonder. ‘Everyone has parents, ‘ I tell them. ‘Even Lee Harvey Oswald had a great mother.’ I guess by this question they are tactfully trying to ask, ‘What on earth could your parents think of you?’ and this I can see, because whenever I read about some lunatic I admire, this question is the first thing that pops into my mind.”

One could easily imagine this question being asked of Divine—the late, great character actor who rose to fame as the female star of several of John Waters’ films. From Mondo Trasho (1969) to Hairspray (1988), Divine played a gamut of roles that ranged from deranged model (Female Trouble, 1974) to loving mother (Polyester, 1981). Divine became so associated with his over-the-top female characters, that many felt that he was in fact authentically female and lived up to his moniker, “The Filthiest Person Alive”—a title his character earned in the notorious Pink Flamingos (1972).
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Valerie Solanas: Who Shot Andy Warhol?

By Less Lee Moore

In June of 1968, a woman named Valerie Solanas rode the elevator up to The Factory, Andy Warhol’s loft. In the elevator with her was Andy Warhol himself. In the Factory’s office was Mario Amaya, an art editor from London; Fred Hughes, one of Warhol’s assistants; and Paul Morrissey, Warhol’s executive producer. Morrissey walked into the bathroom. Within a few minutes, Solanas pulled out a .32 caliber gun and shot Warhol three times. She then shot Amaya in the hip. Hughes begged her to stop. When she fired the gun at him, it jammed. Just then, the elevator doors opened and Hughes told her get on. So she did.

Screencap from I Shot Andy Warhol, 1996

Soon after, Valerie turned herself in to police. When questioned by the media outside of the police station, Valerie said that her reasons for shooting Warhol were “very involved. Read my manifesto and it will tell you what I am.” Solanas served a three-year sentence for attempted murder and died in 1988.

Over forty years have passed since the shooting, but people are still asking the question “Why?” (more…)

The Cult Of Hunter S. Thompson

By Paul Casey

“We were somewhere around Barstow, on the edge of the desert when the drugs began to take hold.”

Coupled with Bruce Robinson’s Withnail & I, there is no more cherished catharsis for the teenage crowd than the work of Hunter Stockton Thompson. Or the drunk crowd. Or the drugged crowd. Or the drunk and drugged teenage crowd. Hunter Thompson’s Fear and Loathing in Las Vegas, and the wonderful Terry Gilliam adaptation starring Johnny Depp and Benicio Del Toro, are the blueprint for so much debauchery and casual destruction. Apart from the compelling joys and miseries of sucking from the Gonzo cock of hyperbolic substance use, Thompson is one of the most emulated crusaders in the truth game.
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Scandal In The 21st Century: The Different Faces Of Irene Adler

By Lisa Anderson

To Sherlock Holmes, she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It’s not that he felt any emotion akin to love for Irene Adler. All emotions, and that one in particular, were abhorrent to his cold, precise, but admirably balanced mind . . . He never spoke of the softer passions, save with a gibe and a sneer . . . And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.
—”A Scandal in Bohemia,” by Sir Arthur Conan Doyle

In recent years, two new versions of the stories of Sherlock Holmes have captivated viewing audiences. One is the film version starring Robert Downey, Jr. The other is the BBC Television version with Benedict Cumberbatch as the lead. Both versions make good use of characters that have either been portrayed very differently or not used as extensively in other incarnations of Holmes stories. For example, both Jude Law and Martin Freeman portray John Watson as a much better sidekick than did Nigel Bruce and others. Mycroft Holmes, Sherlock’s smarter older brother, gets screen time and importance in both the movies and the television show. However, none of Arthur Conan Doyle’s characters has seen their stock increase more in these retellings than Irene Adler. SPOILERS BEHIND THE CUT!
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Forbidden Fruit: Banned, Censored, and Challenged Books from Dante to Harry Potter

By Less Lee Moore

When you think of banned books, you might think of Henry Miler’s Tropic of Cancer (1934), J.D. Salinger’s The Catcher In The Rye (1951), Kurt Vonnegut’s Slaughterhouse Five (1969), or Margaret Atwood’s The Handmaid’s Tale (1985). However, the practice of censorship and banning books reaches back to Socrates and the fifth century BCE. As Pearce J. Carefoote’s Forbidden Fruit: Banned, Censored, and Challenged Books from Dante to Harry Potter explains, the practice did not end when the Middle Ages gave way to the Renaissance.
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Best Of 2011: Danny R. Phillips

In terms of entertainment, 2011 has been kind of slow for me. Electronic acts, dubstep, and boring indie bands named after animals or things you have no hope of pronouncing in the correct way, have been a plague on the music scene like the Spanish Flu Pandemic of 1918. OK, that may be a bit exaggerated but you get the idea.

There have been, however, some things in music, movies, and the written word that have gotten my attention in 2011. Here’s my list of both new and old gems I’ve discovered and revisited in the past year. I hope you find my list enjoyable and informative. If not, better luck next year.
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Erland and The Carnival: Best Of 2011

Reissues: Roy Harper, Songs of Love and Loss

Listened to a lot: Kurt Vile, Smoke Ring For My Halo

Concert: Josh T. Pearson at Union Chapel in London on May 11

Movies: Benda Bilili! (watched on the tour bus), Michael Powell’s The Edge of the World (1937), and The Monk with Vincent Cassel

DVD: Brimstone and Treacle (the BBC TV version, not the Sting film!)

Film festivals: Screening of Ken Russell’s The Boy Friend at the BFI on December 9

Books: Oliver Twist, started reading Michael Horovitz

Art: Grayson Perry, “The Tomb of the Unknown Craftsman” at The British Museum

Comic books: Anything by Alan Moore

Favorite cities: Dresden, Berlin, and started to enjoy London

Coolest thing found at a vintage or thrift store: A WWI officer’s compass

Best restaurant: The Golden Dragon in London’s Chinatown

Erland and The Carnival‘s latest album, Nightingale, was released on March 29. The band will be playing in Vienna at The Maifield Derby Festival on May 19 and again at The Orange Blossom Festival on May 26. For more on the band, please check out their website, Facebook, and Twitter.

The Stooges: Head On, By Brett Callwood

By Less Lee Moore

The Stooges are legendary, but that word implies events from long ago, where the facts are less important than romantic myths. At this point in time, Iggy Pop is famous, while The Stooges have always been more infamous than anything else. But even if your mom has heard of Iggy Pop, she may not know much about The Stooges. Brett Callwood’s book, Head On, seeks to enlighten those who don’t know much about the untold history of this essential and influential Detroit band who came into being well before the so-called punk movement of the mid-1970s.
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Everything New Is Old Again: Dorian Gray Films, Past and Present

By Lisa Anderson

I recently re-read The Picture of Dorian Gray, Oscar Wilde’s novel about a beautiful but debauched young man whose enchanted portrait takes the brunt of both his years and his misdeeds. Soon afterwards, I got together with a group of fellow horror fans and watched two film adaptations: the1945 Albert Lewin version with Hurt Hatfield in the title role, and the 2009 direct-to-video version with Ben Barnes starring as Dorian. Not surprising in light of the time between them, both movies approach the source material in very different ways. Each deviates from the novel in different ways, and has its own strengths and weaknesses. The variations between the book and each film can be illustrated by discussion the tone of the films, and two pivotal incidents in the story.
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Mixtape For The Apocalypse: An Interview With Author Jemiah Jefferson

By Lisa Anderson

With electronic books pulling ahead of paper books in popularity, self-publishing is getting easier and easier. One of the pioneers on this new frontier is Dark Horse comics editor and Popshifter contributor Jemiah Jefferson. Jemiah and I met up over IM to discuss her recently self-published novel, Mixtape for the Apocalypse, as well as her previous work.
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