By Lisa Anderson
Dacre Stoker, the great-grandnephew of Dracula author Bram Stoker, has co-written an official sequel, Dracula: The Un-Dead, along with screenwriter Ian Holt. I was fortunate enough to get to meet Dacre at a signing at Sherlock’s Books in Lebanon, TN this past December, and he graciously agreed to follow up with an interview by email.
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Allison Anders is a filmmaker, director, music fan, and lover of life. She has written/directed Gas Food Lodging, Grace Of My Heart, Sugar Town, and Things Behind The Sun. She is also the founder of the Don’t Knock The Rock film and music festival. Currently, she is working on a follow up to her film Mi Vida Loca called Smile Now Cry Later.
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Our Top Ten List of 2009 consists of things we’ve listened to, watched, and read throughout the year that have made an indelible impression. It is either hopelessly out-of-date or incredibly prescient depending on your personal politics. In no particular order:
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By Hanna
When it came out in 1981, the Brideshead Revisited TV series starring Jeremy Irons was an event, and something remembered like a significant date in history by a lot of people who were alive then. Its greater cultural importance lay in the fact that it set the standard for all eccentric and twee undergraduate behavior, eventually becoming a staple for undergrad language students in the UK.
The TV series’ cult status arose from a situation that sounds like an urban legend, because it seems strange that people took it seriously at any point, and even stranger that they would try to copy a lifestyle that is presented as, at best, ambiguous in both the book and the series. But it’s true, and especially in the ’80s and ’90s, students took the TV series as a model for their lifestyles, co-opting with enthusiasm a philosophy of life that would most likely have excluded them from it on the basis of their origins, had it been real.
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By Emily C.
We’re all BFFs! REALLY!
As a kid I was absolutely obsessed with the Apollo missions from the late 1960s and early 1970s. As an adult, I still am.
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By Lisa Anderson
There is a new Sherlock Holmes movie coming out in December, and I for one am a little nervous.
Now, I’m no Holmes expert, even though I read some of the original stories by Arthur Conan Doyle when I was younger. And I was actually excited about the project at first, because of the involvement of Robert Downey, Jr. and in spite of widespread skepticism over the director, Guy Ritchie. It was the trailer that really concerned me.
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By Emily C.
A review of 1 Top Class Manager can be found here.
“[Journalist] Paul Morley’s line of questioning was about a new underground forming outside the system – how do you see the role of the band? . . . Personally I would rather adopt a different role with regards to everything. . . ”
An excerpt from Rob Gretton’s notebooks, circa 1978
By Christian Lipski
Thanks to Hollywood, comic books (graphic novels) are more popular than ever among the general public, and a lot of people are interested in finding out what these things are all about. Comics have been around for a hundred years in one form or another, so it’s nearly impossible for the uninitiated to know where to begin. I’m no expert, but I can tell you what I’ve loved. My tastes run toward the superhero end of the spectrum; I’ve never delved into the world of Love and Rockets or American Splendor, two great examples of the “realistic” genre, so plan accordingly. This isn’t meant to be a comprehensive map of the best in “sequential art” (as comic books are sometimes loftily known), but rather some suggestions for places to start, based on my own forays.
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By Emily C.
A Q & A with Lesley Gilbert, Rob’s widow, can be found here.
Rob Gretton, Joy Division’s manager, has attained legendary status due to his massive presence in Manchester’s musical history, and due to his various depictions in cinema. He’s been portrayed in two major films: 24 Hour Party People (directed by Michael Winterbottom, 2002) and Control (directed by Anton Corbijn, 2007). He has been depicted as being brusque and pint-loving-yet-sympathetic by actor Paddy Considine in 24 Hour Party People; he is rendered as being somewhat harsh and expletive-using by actor Toby Kebbell in Control. A new book, entitled 1 Top Class Manager (referring to Rob referring, well, to himself), consists of Rob’s journals and notebooks from the period between 1978 and 1980, when Joy Division began to make their mark upon the world of popular music. These notebooks set out to “humanize” the myth of Joy Division while underscoring the enormous work it took to make the band successful.
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By Emily C.
Wolfgang Flür is best known as being Kraftwerk’s drummer from 1974 to 1991, during their “golden years” when they turned out seminal albums such as Radioactivity (1975) and Trans-Europe Express (1977). This memoir by Flür details his various escapades within the workings of the “Düsseldorf Beatles.”
Flür’s liquored-up memories encompass shameless groupie-guzzling, getting surreally and seriously ill while on tour, and being sexually attacked by an aging alcoholic male German film actor. They climax when Flür is unceremoniously ousted from the band, who have become increasingly obsessed with cycling (to Flür’s utter dismay). Who would have believed the inner workings of Kraftwerk could be so scandalous and sex-soaked? The book was greeted with anger from Kraftwerk’s remaining members, who sued Flür; apparently Ralf Hütter and Florian Schneider were not amused by photographs depicting the Kraftwerk robots in various homosexual activities.
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