What Is The Deal With Lana Del Rey? A Timeline

By Less Lee Moore

I never even heard of Lana Del Rey until I saw this posted on a friend’s Facebook wall on January 14: “What is this Lana Del Rey shit?”

It was, of course, a reference to that infamous, scandalous, controversial, polarizing (pick one or come up with your own) Saturday Night Live performance. I don’t watch SNL so I didn’t see it.

The next day, January 15, another Facebook friend posted a link to Lana Del Rey’s video for “Born To Die.” I listened to it. I loved her voice and I thought the song was rather intriguing and different. Del Rey was certainly beautiful, with a distinctive look and sound. I watched a few more videos of hers “Blue Jeans,” “Video Games,” and “Mermaid Motel.” They were all good.

Then I started reading online about the backlash before the SNL backlash. How Del Rey was an indie poseur, blah blah blah. I felt bad for the poor girl. I felt like if everyone was going to hate on her, I was going to like her just to spite people. (I can’t help it; it’s what I do.)

Other than posting a link to the “Born To Die” video on my own Facebook wall and a link to the January 16 Brian Williams email article on Gawker, I have not posted much about her online. Yet I couldn’t escape the haterade that everyone on the Internet seemed to be drinking. It was everywhere I looked and I wasn’t looking for it. Within about a week, she came up in a real-life conversation and that’s when I started Googling her.

New York Magazine‘s Entertainment section has a nice timeline of events that you can check out here. I admit it looks like I’m copying them with my own timeline below, but mine is a bit different.

Rather than try to dissect and comment on each and every blog post I’ve read about Lana Del Rey (which would surely require at least a week and I do have other things to do) or even the ones I’m linking below, I’m just going to include some salient quotes and let you be the judge.

At this point, you’re going to think what you want to think about Lana Del Rey so maybe you’re thinking “why bother?” I will point out that these links are available to everyone with a computer and an Internet connection. It seems like people (including music blogs and others) are content to follow the meme of the moment without questioning it (or the biases of the blogosphere, much less their own biases) or even doing their own research. I wanted to do my own research and decide for myself. So here you go. (more…)

Our January/February Issue Is Out Now!

January/February 2012 Issue – Oh No You Didn’t

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to read the issue!

Issue 026—Oh No You Didn’t—Features: Five Favorite Controversial & Hilarious Pop Culture Moments On TV, Sinéad O’Connor, Valerie Solanas, Hunter S. Thompson, Bonnie And Clyde, Elvis Found Alive, The Beatles vs. Jesus, Prince, Zodiac Mindwarp, John Cale, Except Rap And Country, Pro Wrestling, Iggy Pop, Sibling Rivalry, Gay Stereotypes On TV, Irene Adler & Sherlock Holmes, Pierre Trudeau, Catfish, Banned Books.

New Video: Cake, “Mustache Man (Wasted)”

By Jemiah Jefferson

If only all videos by beloved indie-rock stalwarts could be directed by Portland, OR-based Alicia J. Rose, MTV would never have stopped showing videos.

Reminiscent of the good old days of hilarious mini-movies like “Hot for Teacher,” “Christmas in Hollis,” “Jeopardy,” and any “Weird Al” video ever, Cake’s new track “Mustache Man (Wasted)” features the story of a heavyweight schlub with no luck with the ladies going up against a mysterious stranger with a sex van, bell-bottoms, aviator sunglasses, and luxurious pornstache who effortlessly pulls all the girls (even the ladyboys shopping at Portland mainstay Wig Land). The war escalates to a lighted-floor disco dance-off for the ages.

Chock full of Portland landmarks, amazing Portland women, and vintage fashion, and accompanying a song custom-made for ironically-funky party dancing, “Mustache Man (Wasted)” is a must-see, must-hear.

“Mustache Man (Wasted)” is the latest from Cake’s most recent album, Showroom of Compassion, which is available on iTunes and Amazon.

New Artist: Kris Korey

By Kai Shuart

Kris Korey’s interest in music—and making music—began at an early age; he wrote his first song at age seven. He started playing drums in his high school music class and soon branched out into playing with other local bands, touring around Ontario until 2006. From there, Kris picked up the electric guitar and started writing songs, taking voice lessons, and even recorded some home demos on an 8-track. In 2010, Kris recorded a couple of songs with Canadian producer Chris Perry which he intends to release on a full-length release titled Class Act.
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Pan Am: Music From And Inspired By The Original Series

By Melissa B.

I love a good soundtrack, even for things I’ve not seen. I love the way that carefully chosen songs can convey a feeling and even a look, and that the use of music in a show or movie can make or destroy a moment.
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Top Ten Movies To Look For In 2011: Follow Up

By Lisa Anderson

In late 2010, I made a list of the 2011 films that I was most interested in. With many year-end retrospectives going on, I thought I’d go back over the list and report on how these movies compared to my expectations.

1. Red Riding Hood

Of all the movies on my list, this one probably disappointed me the most. The story was muddled and didn’t make use of folklore and symbolism in the way it could have. The love triangle was not as interesting as it could have been, and there were disappointing performances all around from otherwise amazing people. Last but not least, the script missed the perfect opportunity to have the wolf throw back its head and howl at the moon. Red Riding Hood had its good moments and there were things I liked about it, but overall, you’re better off watching Hanna (reviewed here) for an innovative, feminist take on fairy tales.
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Meet Me At Mardi Gras

By Melissa B.

How fortunate the New Orleanians are: Once Christmas and New Year’s are over, they get to move straight into Carnival season. Parades, food, music, revelry, and the finest of these things, I’d wager, is the music.

I’ve often wondered how New Orleans can have so many obscenely talented, homegrown musicians. Is it the food, the humidity, the heritage, the proximity to water? Is there a great funk reservoir that all of the drinking water comes from? Do they put it in babies’ bottles at birth? Whatever causes it, there is a bumper crop of amazing New Orleans music out there and Meet Me At Mardi Gras puts it all in one convenient disc, making a party in your living room, or car, or ears. What have you.
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Misterman, With Cillian Murphy

By Maureen

Let me just get this disclaimer out of the way: I fucking love Cillian Murphy. I would crawl through a river of shit, Andy Dufresne-style, just to listen to him read the phone book. Which, in a twisted and complex way, he kind of does in Enda Walsh’s play Misterman.
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Best Of 2011: J Howell

If there’s one good thing that can be said for what turned out to be a furthering of turbulent and dark days the world over, 2011 was at the very least a good year for music. A great year, even.
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Melody Walker, Gold Rush Goddess

By Kai Shuart

In the interest of full journalistic disclosure, I have to say that I know Melody Walker—the artist behind this CD—personally; I had the privilege of playing with her many times when we were both attending Humboldt State University and seeing her talent grow from her early days playing at Muddy Waters. We remain great friends to this day.

However, that does not diminish the fact that this is an outstanding record. The opening title track, “Gold Rush Goddess” intertwines the earthy images of dynamited mountains and the lusty image of a woman dancing for money and melds them into a cohesive allegory for exploitation, as evidenced in the lyric “Come down off that mountain/come down all you men/but don’t you come knockin’ without money in your hand.”
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