Valerie Solanas: Who Shot Andy Warhol?

By Less Lee Moore

In June of 1968, a woman named Valerie Solanas rode the elevator up to The Factory, Andy Warhol’s loft. In the elevator with her was Andy Warhol himself. In the Factory’s office was Mario Amaya, an art editor from London; Fred Hughes, one of Warhol’s assistants; and Paul Morrissey, Warhol’s executive producer. Morrissey walked into the bathroom. Within a few minutes, Solanas pulled out a .32 caliber gun and shot Warhol three times. She then shot Amaya in the hip. Hughes begged her to stop. When she fired the gun at him, it jammed. Just then, the elevator doors opened and Hughes told her get on. So she did.

Screencap from I Shot Andy Warhol, 1996

Soon after, Valerie turned herself in to police. When questioned by the media outside of the police station, Valerie said that her reasons for shooting Warhol were “very involved. Read my manifesto and it will tell you what I am.” Solanas served a three-year sentence for attempted murder and died in 1988.

Over forty years have passed since the shooting, but people are still asking the question “Why?” (more…)

Best Of 2011: Less Lee Moore

As always, I wish I’d had the time and resources available to experience more, but here are some of the things that made 2011 memorable (in alphabetical order, to be fair).

À l’Intérieur (Inside) at TIFF Bell Lightbox, August 20: Though I’d already watched this film three times on DVD, I felt that I needed to see it on the big screen. I’ve probably said this a few times already, but it’s still true: it manages to completely transcend the horror genre to become a bona fide work of cinematic art. It is indescribable and powerful and if you haven’t experienced it yet, you should.

Adam Ant: For all those folks who thought he was a crazy, bloated has-been, recent live performance clips on YouTube will more than prove those half-baked theories wrong. He’s so much more than the guy who did “Goody Two Shoes” and any and all adulation for him is well deserved. His descent into madness, fall from grace, and subsequent return to form (used in the truest, most non-cliched sense ever) are remarkable achievements. He remains, after thirty years, a huge inspiration to me. (more…)

JG Thirlwell: Best Of 2011

Here is some popular music I have been digging this year.

Some on this list came out this year and some didn’t.
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Erland and The Carnival: Best Of 2011

Reissues: Roy Harper, Songs of Love and Loss

Listened to a lot: Kurt Vile, Smoke Ring For My Halo

Concert: Josh T. Pearson at Union Chapel in London on May 11

Movies: Benda Bilili! (watched on the tour bus), Michael Powell’s The Edge of the World (1937), and The Monk with Vincent Cassel

DVD: Brimstone and Treacle (the BBC TV version, not the Sting film!)

Film festivals: Screening of Ken Russell’s The Boy Friend at the BFI on December 9

Books: Oliver Twist, started reading Michael Horovitz

Art: Grayson Perry, “The Tomb of the Unknown Craftsman” at The British Museum

Comic books: Anything by Alan Moore

Favorite cities: Dresden, Berlin, and started to enjoy London

Coolest thing found at a vintage or thrift store: A WWI officer’s compass

Best restaurant: The Golden Dragon in London’s Chinatown

Erland and The Carnival‘s latest album, Nightingale, was released on March 29. The band will be playing in Vienna at The Maifield Derby Festival on May 19 and again at The Orange Blossom Festival on May 26. For more on the band, please check out their website, Facebook, and Twitter.

“Seductive Subversion: Women In Pop Art”

By Chelsea Spear

Exhibit at The Aidekman Center for the Arts
Medford, MA

Free association: When I say the words “Pop Art,” what comes to mind? Screen-prints of Brillo boxes and Campbell’s soup cans, Ben-Day dots on comic-strip women, cartoon collages. And pop artists? Andy Warhol, Roy Lichtenstein, Richard Hamilton, maybe Jasper Johns and Robert Rauschenberg. Like most art movements, Pop Art is considered to be a boys’ club. “Seductive Subversion” seeks to turn this misconception on its head.
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Portrait of a Reputation: The Woodmans

By Chelsea Spear

The early months of 2011 find artist Francesca Woodman in the spotlight. After numerous solo shows throughout the United States and Europe, the photographer will be the subject of a career retrospective at the San Francisco Museum of Modern Art. Her work changes hands for hundreds of dollars. Established photographers like Cindy Sherman and Photoshop illustrators such as Rosie Hardy cite Woodman’s ethereal self-portraits as a key influence.
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Excellence (Still) Has No Sex: A Tribute To Artist Eva Hesse, 1936 – 1970

By Emily Carney

“You won’t believe it. I was told by the doctor that I have the most incredible life he ever heard. Have you got tissues? It’s not a little thing to have a brain tumor at thirty-three.”

Eva Hesse

This was just the beginning of an interview artist Eva Hesse conducted with Cindy Nesmer near the end of her life. The tumult—and ultimate artistic triumph—of Eva Hesse’s inner life was more than apparent in the three-dimensional latex and plastic sculptures which she made near her life’s end.
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Fetish Art And Feminism

By Kai Shuart

Recently, I finished reading Craig Yoe’s Secret Identity: The Fetish Art of Superman’s Co-Creator Joe Shuster. Yes, it’s true. Even though I’m as much of a feminist as you’re likely to meet, I also love fetish and pinup art. I say this not to claim definitively that pinup or fetish art is feminist; I’m too well aware of the incongruity of these two things to make such a bold claim. Rather, I state my identity as pinup fan and feminist to remind everyone that feminism is not a monolith—it comes in many different varieties. I also state these seemingly contradictory positions to remind everyone that our desires know no political affiliation. We all have fantasies that we can’t explain for the life of us.
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The Notorious Bettie Page

By Less Lee Moore

Called “the greatest pinup model that ever lived” by pinup photographer Art Amsie, Bettie Page was nothing if not an enigma. The now-iconic images of her alternate between sweet, sassy cheesecake shots and those fetish photos and films that were brought before the Kefauver Hearings of the Senate Subcommittee on Juvenile Delinquency in the mid-1950s. It is this contrast and conflict that director Mary Harron examines in her 2005 film, The Notorious Bettie Page.
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The Adventures Of Miss Flitt: Q&A With Designer Beth Hahn

By Chelsea Spear

In the late 2000s, knitwear designer Beth Hahn took the knitting world by storm with her series, The Adventures of Miss Flitt. Blending steampunk-friendly Victorian style, elegant knitwear designs, and an addictive narrative, the series follows the adventures of Emma Flitt as she traverses 19th century Brooklyn to find her sister. Her travels take her to seedy vaudeville theaters, pickpockets’ dens, and—in the most recent edition—to a most spooky séance. Ever the master storyteller, Hahn weaves her story through a series of simple-yet-gorgeous and thoroughly wearable cardigans, berets, overskirts, and other accessories.

On a chilly weekend in early January, I took virtual tea with Beth Hahn to find out more about her knitting endeavors.
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